An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.
Three interwoven stories about a terrible curse. A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo; a mean high school prank goes horribly wrong; a woman with a deadly secret moves into a Chicago apartment building.
A young Japanese woman who holds the key to stopping the evil spirit of Kayako, travels to the haunted Chicago apartment from the sequel, to stop the curse of Kayako once and for all.
After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
Karen Davis, an American Nurse, moves to Tokyo and encounters a supernatural spirit who is vengeful and often possesses its victims. A series of horrifying and mysterious deaths start to occur, with the spirit passing its curse onto each victim. Karen must now find away to break this spell, before she becomes its next victim.Written by
simon
The original Japanese film featured a subplot involving three schoolgirls encountering the curse. Although it was omitted from the remake, it was restored in the film's sequel, The Grudge 2 (2006). See more »
Goofs
(at around 1h 26 mins) At the end, before Karen enters the morgue, she has a lot of blood and bruises in her face. Seconds later, inside the room, she appears with less blood than before, especially on the right side of her face. See more »
Quotes
[first lines]
Maria:
Good morning. Peter? Are you OK? You're up early today.
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Alternate Versions
Two slightly different versions of the film were used for test screenings. One was R-rated, while the other was rated PG-13. The PG-13 cut, which had toned down some of the disturbing images, tested better with screeners. See more »
This review is really a word of warning, if you've seen any of the earlier Japanese versions of this story you've seen this movie before. If you've seen all four of the earlier films, you've really seen everything (except the frightening opening with Bill Pullman) and you'd best wait for home video.
I understand that the film makers wanted to make sure that this film worked and made them money, so they repeated what worked, even casting the same Japanese actors for the kid and other roles; but it would have been nice if they had done more that was new beyond the opening sequence.
This isn't to say that the film is bad, its not, rather, its just that unless you're walking in to the film fresh odds are you're going to be like me and know what each five or ten minutes is going to bring because of the set up of the sequence.
For me it was a 6 out of 10, for fresh eyes probably higher.
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This review is really a word of warning, if you've seen any of the earlier Japanese versions of this story you've seen this movie before. If you've seen all four of the earlier films, you've really seen everything (except the frightening opening with Bill Pullman) and you'd best wait for home video.
I understand that the film makers wanted to make sure that this film worked and made them money, so they repeated what worked, even casting the same Japanese actors for the kid and other roles; but it would have been nice if they had done more that was new beyond the opening sequence.
This isn't to say that the film is bad, its not, rather, its just that unless you're walking in to the film fresh odds are you're going to be like me and know what each five or ten minutes is going to bring because of the set up of the sequence.
For me it was a 6 out of 10, for fresh eyes probably higher.