Tarnation

After reviewing tarnation, I really think that there should of been some sort of biography attempt made by the director in order to explain more clearly. I must agree that this film shows bare emotions to the fullest extent. However, I got something a little different out of it, as I have met and had lengthly conversations with the director, John. I met John through John Cameron Mitchell at an audition in New York. I hung out with him recently in NY when I was visiting JCM as he co produced the flick to begin with.

I felt that the core of the film really lied within ourselves. What could be called everyday family situations where no one is really concerned how they go are essential to life and essential to this story. Many may think that this is a whimsical film about a boy taking care of his schizo mom. These everyday life situations I thought showed more of the human side we all tend to possess. Life may be full of thrill rides, but you have to wait in line to get on them, hence some of these scenes.

Overall, I think what John has created is a film too real for Hollywood and more importantly, more real than everyday life. Most people can't relate to real life as they don't live it themselves. In fact, it was even so for myself (lol). I did feel a little weird myself in the end.

Any movie where the director bares his soul in it's entirety is worth seeing to me.

Super-8 auteur Jonathan Caouette, a young gay man with an extremely turbulent life, reveals his troubled childhood through home-movies and stills. The worshipful son of a beautiful ex-child model/single mother/electro-shock recipient, Caouette manages, in surprisingly linear fashion considering the circumstances, to paint a vivid portrait of the ultimate dysfunctional family. His grandparents, who ended up adopting Jonathan after his mother was jailed and he went through the horrors of the foster care system, are revealed as loving yet unconcerned older folks with perhaps a secretive, defensive side; Jonathan's mother Renee, once a striking young woman, is the sad result of "medical expertise" gone shatteringly wrong. The film is alternately assaultive, theatrical (Jonathan revealed a highly acute sense of theatricality and love for outré movies at a very young age), amusing, narcissistic, boring, compelling and, finally, quite moving. There are just as many stretches of questionable sincerity on Caouette's part as there are exhilarating moments--a joyous romp on the beach with mom or a beautiful, revealing childhood lip-synching take on "Frank Mills". The alt-rock soundtrack is superb and Caouette, a handsome, playfully schizophrenic star-in-the-making, is a talent to watch. **1/2 from ****

I guess I fall into the "art school gimmicks" camp regarding this film. I went into it intrigued with the idea of watching a 13 year tale of a mother and son. Such was hardly the case. I have to admit somewhat brutally, that this movie seemed somewhat exploitative. Given how much of the film was about Caouette growing up as a gay male, I fail to see how his mother's condition actually had a hand in it. Honestly she seemed to merely be a device (an unwilling one at that) to extend Caouette's angst well into adulthood where he otherwise seemed pretty settled and happy.

The structure of the movie was: shock the viewer with my mother's condition, now talk about my horrible angst ridden teen years, now bring mother back to keep the emotion going.

I was not at all impressed with the experimental/disjointed editing style. I've been to a fair amount of film festivals and, if anything, that sort of manipulation disappeared with the advent of affordable editing software. In short, they don't even do that in film school anymore.

One more disappointment: quite late in the film, we have an opportunity to hear about Caouette's mom from two people in Caouette's family. In one instance, the opportunity is totally wasted; nothing comes of his on-camera time. In the other (with his grandfather), Caouette's manner of questioning badgering and accusatory; he doesn't let the old man get a decent thought out.

I know that there is someone appropriate to recommend see this film to, I just wouldn't include friends among that list.

I shouldn't actually dismiss it outright, there were some good qualities to the film. It had a striking juxtaposition of visual images and sound; sometimes complimentary and sometimes contrasting. The use of split screen and other special effects did add interest, but the movie was ultimately personal in a bad way. Instead of drawing me more into the story it dwelt on personal issues and images way too long. Indulgent is the word I could use. He has every right to include every second he did, but he lost me along the way and I had the right to go to a film made for an audience. I was not offended by the homosexuality, but maybe if I were Gay I would have been a little more interested, or if I had come from as traumatic a childhood, or if the whole exposition had not relied on writing on the screen, or if...

Well, there are several things I could imagine that MIGHT have made me more interested in what should have been a compelling experimental documentary (the closest thing I can call it. But as it was, I sat there becoming more convinced I should have gone to see The Motorcycle Diaries, for which a trailer had played before this feature disappointing feature.

I am sure it will become a staple of gay film festivals and abnormal psychology classes, so you'll have a chance to see it again.

I know I should, but I don't watch many documentaries. It's a different world inside of film-making, one in which everything is, among other things, real. Another feeling that a documentary generates is immediacy; a sensation of present time even if it's telling something that's older than you. "Tarnation", a life story, is a striking view of a unique personality.

Jonathan Caouette, its director, is now in his thirties; but it's like he had planned it all his life, like if he had known it would be a completed project all along. Here we see a lot of films inside of the big film, that Caouette put together to show who he is, what he does, how he feels and how the people who live around him act.

More than the rest, there is a focus on his mother, Renee LeBlanc, who suffers from schizophrenia and didn't live with him for a long time. She lives with him now and Jonathan lived with his grandparents for a lot of years, and he didn't know his father but he tried to find him; and he also lived with foster parents and he always knew he was gay.

This and more is seen in the images he put together in a program anyone with a Macintosh –Apple- computer can use. I don't want to say much more because "Tarnation", although not great, is really magical and inspiring…Magical because is like nothing you've ever seen before; inspiring because it shows and speaks of the creativity of the filmmaker. It will give to anyone who's thinking about doing cinema ideas about tons of things, unstoppably.

And "Tarnation" is also a film for any true cinema lover, because it contains references to a lot of names and important influential cinematographic figures. But influential for him, who, as he inspires us, shows us who inspired him…One example that comes to mind is the fact that Caouette and a friend made a musical stage version of David Lynch's "Blue Velvet" when they were in high school.

He says it in the film's tag-line: "Your greatest creation is the life you lead", and he is right. So be encouraged, and if you feel that you should make a film out of every day you live, don't worry and write about it; or carry a camera with you through the day. This is the kind of message "Tarnation" wants to leave, cinematically.

Emotionally, it wants to show the truly difficult experiences of a genius who, somehow, had a whole movie in his head and wanted the world to know he's not afraid of showing these experiences with and in it…Life is like that, you can't escape it; write that down.