For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Engineers Aaron, Abe, Robert and Phillip are working on an invention, the prototype being built in Aaron's garage. This project is beyond their day jobs. The project truly does belong to Aaron and Abe, as they use all their free time working on it, primarily trying to overcome the many engineering related problems they've encountered. It is during one of his tests with the invention running that Abe discovers that a protein inside the main unit has multiplied much more rapidly than it could in nature. Rather than the invention being a protein super incubator, Abe, using himself as a guinea pig, and a very meticulous one at that, discovers that the invention can be used as a time machine. In his self experiment, Abe was especially careful not to interfere with his own self in that time warp. Abe passes along this discovery to Aaron, who he expects will tell his wife Kara in what is the sanctity of their marriage, but he doesn't want to tell either Robert or Phillip. Much to Abe's ...Written by
Shane Carruth stated that at most an 80-minute movie could be made from the footage; the film ended up being 78 minutes long. He stated that the shooting ratio was 2:1. See more »
When Abe is first telling Aaron about the box, he starts by explaining that the Weeble was accumulating years worth of protein build-up every few days. He later explains that anything in the box must experience subjective time. That is to say, to go back one minute, you must spend one minute in the box. This means that the absolute most amount of time the Weeble could have experienced is only twice the amount of time the box has existed and been turned on. See more »
[Sound of a phone ringing. Aaron, voiceover:]
Here's what's going to happen. I'm gonna read this, and you're gonna listen, and you're gonna stay on the line. And you're not gonna interrupt, and you're not gonna speak for any reason. Some of this you know. I'm gonna start at the top of the page.
Meticulous, yes. Methodical, educated; they were these things. Nothing extreme. Like anyone, they varied. There were days of mistakes and laziness and in-fighting, and there were days,...
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Thanks to Scott Douglass for having the faith to invest in the final stages of marketing and post production See more »
For those who don't want movies to do their thinking for them.
An extremely intriguing and initially confusing tale of causality and human failings, Primer made me think of a much more technically minded Donnie Darko--and the temporal contortions are about ten times more complicated. This movie is obviously not for the casual viewer who sees movies as a strictly one-way experience. Primer requires a willingness to engage it as it conveys a carefully constructed puzzle of events that are not necessarily chronological. And it requires the audience to make the necessary leaps of intuition and deduction to put that puzzle together. It probably doesn't help that the language and tone of the movie is extremely technical, filmed and directed to capture the true-to-life mannerisms and speech of two college physics graduate students. But if you can grasp the premise presented in the introduction, you should be able to follow the movie up until the point where it leaves you in the dust near the end, wondering, as Abe, "How?". You realize that what you have seen is significant, but the full scope of it eludes you. And that makes the subsequent re-watching and investigation and ultimate realization of the true nature of the puzzle all the more rewarding.
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