| Cast overview, first billed only: | |||
| Shane Carruth | ... | Aaron | |
| David Sullivan | ... | Abe | |
| Casey Gooden | ... | Robert | |
| Anand Upadhyaya | ... | Phillip | |
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Carrie Crawford | ... | Kara |
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Jay Butler | ... | Metalshop Worker |
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John Carruth | ... | Man On Couch #1 |
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Juan Tapia | ... | Man On Couch #2 |
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Ashley Warren | ... | Hostess |
| Samantha Thomson | ... | Rachel Granger | |
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Chip Carruth | ... | Thomas Granger |
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Delaney Price | ... | Laney |
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Jack Pyland | ... | Aaron's Co-worker |
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Keith Bradshaw | ... | Clean Room Technician |
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Ashok Upadhyaya | ... | Laboratory Technician |
Engineers Aaron, Abe, Robert and Phillip are working on an invention, the prototype being built in Aaron's garage. This project is beyond their day jobs. The project truly does belong to Aaron and Abe, as they use all their free time working on it, primarily trying to overcome the many engineering related problems they've encountered. It is during one of his tests with the invention running that Abe discovers that a protein inside the main unit has multiplied much more rapidly than it could in nature. Rather than the invention being a protein super incubator, Abe, using himself as a guinea pig, and a very meticulous one at that, discovers that the invention can be used as a time machine. In his self experiment, Abe was especially careful not to interfere with his own self in that time warp. Abe passes along this discovery to Aaron, who he expects will tell his wife Kara in what is the sanctity of their marriage, but he doesn't want to tell either Robert or Phillip. Much to Abe's ... Written by Huggo
A group of young scientists work at a frantic pace to invent they are not quite sure what, but their efforts start demonstrating interesting side effects. From their work in a small cottage industry of error checking devices they are forced to confront the fact that they have discovered something too valuable to market. As they explore the potential of their machine, they are caught in a frantic loop to second guess themselves.
Science fiction in the cinema has largely been dominated by the visual impact, and so this is a welcome (for some) return to the world of ideas. This is not an easy-rise entertainment film but one where you have to concentrate to keep up, working out the logical implications of what's happening. If made on the scale of Men in Black or the Matrix it would descend to the level of spoof as it is we follow the two main characters knowing that their actions are having momentous effects on the world around them and on themselves. Instead of flashy graphics, we are left to keep the ramifications of the story in mind as the characters themselves grapple with what they know is happening but can't even let themselves look at directly.