For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Eight candidates for a highly desirable corporate job are locked together in an exam room and given a final test with just one question. It seems simple yet confusing that soon, tensions begin to unravel.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Engineers Aaron, Abe, Robert and Phillip are working on an invention, the prototype being built in Aaron's garage. This project is beyond their day jobs. The project truly does belong to Aaron and Abe, as they use all their free time working on it, primarily trying to overcome the many engineering related problems they've encountered. It is during one of his tests with the invention running that Abe discovers that a protein inside the main unit has multiplied much more rapidly than it could in nature. Rather than the invention being a protein super incubator, Abe, using himself as a guinea pig, and a very meticulous one at that, discovers that the invention can be used as a time machine. In his self experiment, Abe was especially careful not to interfere with his own self in that time warp. Abe passes along this discovery to Aaron, who he expects will tell his wife Kara in what is the sanctity of their marriage, but he doesn't want to tell either Robert or Phillip. Much to Abe's ...Written by
The budget for the entire film was around $7000. Most of the money was spent on film stock. See more »
When Aaron and Will are talking on the basketball court, a boom shadow is visible on Will's shoulder. See more »
[Sound of a phone ringing. Aaron, voiceover:]
Here's what's going to happen. I'm gonna read this, and you're gonna listen, and you're gonna stay on the line. And you're not gonna interrupt, and you're not gonna speak for any reason. Some of this you know. I'm gonna start at the top of the page.
Meticulous, yes. Methodical, educated; they were these things. Nothing extreme. Like anyone, they varied. There were days of mistakes and laziness and in-fighting, and there were days,...
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Thanks to Scott Douglass for having the faith to invest in the final stages of marketing and post production See more »
There's something about this one. I just watched it three times straight through, and that's not normal. As a film, it's technically fine (music, direction, camera), even though it's an "amateur" production. I take some issue with the editing, however as it relates to the story-telling. Part of why I had to watch it a few times is that I wasn't figuring out what was going on. Portions were hard to follow or just not spelled out when they needed to be. I don't need hand-holding, but there's a lot of technical information to absorb in this one and I wish a few scenes were a bit more clear. But that adds mystery, I guess.
I found the dialog to be extremely believable and it made me really believe that this could be something actually happening. That's part of what makes it haunting for me, I guess.
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