The President of an African country decrees that the arms budget will be diverted in to the "Water For All", project. The journalist, Michael Power, discovers a coup set by the arms dealers.
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Cast
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Cleveland Mitchell | ... |
Michael Power
(as Michael Power)
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| Moshidi Motshegwa | ... |
Anita Chiama
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Terence Reis | ... |
Ed Johnson
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| Craig Gardner | ... |
Host
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| Richard Mofe-Damijo | ... |
The President
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Kamau Wa Mbugwa | ... |
Patrick Lembe
(as Kamau Mbugwa)
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| Patrick Shai | ... |
Charles Ojuka
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John Moriri | ... |
Cabinet Minister
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Nambitha Mpumlwana | ... |
Jaclyn Muwangi
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| Marius Weyers | ... |
Thomas Rhines
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| Grant Swanby | ... |
Jon Marshall
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| Hakeem Kae-Kazim | ... |
Jomo
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Bukky Ajayi | ... |
Madam Baka
(as Buki Ajayi)
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Kamo Masilo | ... |
Benji
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Lucky Monnakgotla | ... |
Benji's Friend
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Mbuso Perican Motha | ... |
Benji's Friend
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Keketso Semoko | ... |
Aunt Comfort
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Owen Sejake | ... |
Uncle George
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Moshoeshoe Chabeli | ... |
Chief Fodio
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| Nick Boraine | ... |
William Le Trois
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| Zaa Nkweta | ... |
Raymond
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Richard Nta | ... |
Security Officer #1
(as Richard Cyril Nta)
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Kenneth Nta | ... |
Security Officer #2
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Ernest Ndlovu | ... |
Massey
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| Thami Ngubeni | ... |
Sabina Siko
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Millard Arnold | ... |
Rick Westley
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Trevor Yamba | ... |
Bartender
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Omanza Eugene Shaw | ... |
Harry Mojadji
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Pumla Ndlazi | ... |
Nurse
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Charly Ngonga | ... |
Solo
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Dan Robbertse | ... |
Colonel Jay Silverman
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Lorna Maseko | ... |
Dancer
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Frans Ramoba | ... |
Dancer
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Longue Longue | ... |
Band
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Dexter Nwanya | ... |
Headmaster
(as Dexter Nwanya Jr.)
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Seputla Sebogodi | ... |
Senior Police Officer
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Yule Masiteng | ... |
Police Commissioner
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| Louise Barnes | ... |
Laura
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Directed by
| Jason Xenopoulos | ||
Written by
| Tunde Babalola | ... | (story) & |
| Celia Couchman | ... | (story) & |
| Bob Mahoney | ... | (story) |
| Tunde Babalola | ... | (screenplay) |
Produced by
| Celia Couchman | ... | executive producer |
| Bob Mahoney | ... | producer |
| Amparo O'Connell | ... | distribution producer (as Amparo Ochoa Vargas) |
Music by
| Joe Campbell | ||
| Paul Hart | ||
Cinematography by
| Michael Alan Brierley | ... | director of photography (as Mike Brierley) |
Editing by
| Ronelle Loots | ||
Editorial Department
| Nerissa Black | ... | post-production coordinator |
| Brett Manson | ... | digital intermediate colorist |
Casting By
| Christa Schamberger | ||
Production Design by
| Billy Keam | ||
Costume Design by
| Diana Cilliers | ||
Production Management
| Diana Keam | ... | production supervisor |
| Gudrun Scott | ... | production manager |
Second Unit Director or Assistant Director
| Wendy Alport | ... | first assistant director |
| Michael Swan | ... | second unit director |
Sound Department
| Jim Petrak | ... | adr recordist |
| Jeremy Saacks | ... | re-recording mixer |
Visual Effects by
| Cyril Schumann | ... | flame artist |
Stunts
| Grant Hulley | ... | stunt coordinator |
Camera and Electrical Department
| Gerard Botha | ... | camera focus: second unit |
| Clint Stone | ... | best boy lighting |
| Michael Swan | ... | director of photography: second unit |
Additional Crew
| Daphne Bezem | ... | production secretary |
| Louise Mycielski | ... | assistant to director: pre-production |
Production Companies
- MPTM (presents)
- Moonlighting Films (co-produced)
Distributors
- Gala Films (Kenya) (theatrical)
- ACI (2004) (World-wide)
- Indies Home Entertainment (2006) (Netherlands) (DVD) (retail)
- Movie Bank (2006) (Netherlands) (DVD) (rental)
Special Effects
Other Companies
Storyline
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Additional Details
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Box Office
| Budget | GBP2,300,000 (estimated) |
Did You Know?
| Trivia | The film was released as part of a massive advertising campaign for the Guinness beer brand in Africa, where the lead character, Michael Power (played by Cleveland Mitchell), features in numerous Guinness advertisements. In Africa, such is the popularity of "Michael Power", that many people do not realize that he is a fictional advertising character. See more » |
| Goofs | Most of the action in the film takes place in a single fictional African nation, yet in some scenes the traffic bears to the right, while in other scenes the traffic bears to the left. See more » |