Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
When the bee Barry B. Benson graduates from college, he finds that he will have only one job for his entire life, and absolutely disappointed, he joins the team responsible for bringing the honey and pollination of the flowers to visit the world outside the hive. Once in Manhattan, he is saved by the florist Vanessa and he breaks the bee law to thank Vanessa. They become friends and Barry discovers that humans exploit bees to sell the honey they produce. Barry decides to sue the human race, with destructive consequences to nature.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Ending Credits drift in a zig zag manner and bees fly about. See more »
The British version is cut by 20 seconds.
Dreamworks were required by the British Board of Film Classification to remove "a potentially dangerous and easily imitated technique involving materials that are readily available in the average household".
The "dangerous and easily imitated technique" involved the ignition of an aerosol can to form a makeshift flame-thrower - this is replaced by a shower head in the UK version.
They were not given the choice of releasing the film uncensored at a higher age rating because the film was aimed at younger viewers. See more »
The "Citizen Kane" of bug movies. My only regret in life is that I cant see this movie for the first time again, and yet upon each re-viewing I find myself peeling back more and more of the metaphysical layers to this enthralling epic of tragedy and redemption.
Jerry Seinfeld delivers an Oscar worthy performance as Barry B. Benson, local hive schlub and opportunistic apis mellifera, he aims to please both his personal needs for love, passion and adventure, as well as his parents wishes for stability and success. The results can bee bittersweet, and downright hilarious at times, and ultimately enriches the audience with its tantalizing charm and wit.
As far as political agendas go, "Bee Movie" dares to not shy away from allusions of Eco-Fascism and the Socialist working class struggle, and faces the Globalist honey collecting hordes head on through judicious and peaceful means. The political influence derived, serves as a peak into a Beewellian realm, governed by a beenevolent dictator aiming to seize the rights of Honey distribution worldwide, yet maintaining a clear Social Hierarchy, both in hive and out. Fascinating audiences worldwide, "Bee Movie" is nothing less of a manifesto, and a warning of what to bee prepared for in a hypothetical future. As far as I'm concerned, I welcome the thousand year hive with open arms, and think we'd all bee better off sticking one to big honey.
Black and Yellow! Hello! I give this instant classic two antennas up.
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