Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
When the bee Barry B. Benson graduates from college, he finds that he will have only one job for his entire life, and absolutely disappointed, he joins the team responsible for bringing the honey and pollination of the flowers to visit the world outside the hive. Once in Manhattan, he is saved by the florist Vanessa and he breaks the bee law to thank Vanessa. They become friends and Barry discovers that humans exploit bees to sell the honey they produce. Barry decides to sue the human race, with destructive consequences to nature.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
(at around 1h 3 mins) When the bees shut down honey production, the foreman yells "Turn your key, sir!". This is a reference to the opening scenes of WarGames (1983), which Matthew Broderick stars in. See more »
In the court scene, the defendant (or the company representatives) says their opening statement first, when the prosecution (the bees) actually delivers their opening statement first. See more »
As with many computer-animated films this is a sharply observed visual comedy grafted over hilarious voice-over. For about ten minutes. Then, amazingly, they run out of ideas. All the bee jokes are front-loaded and the film can't survive either on it's script - which has been left quite open for improvising - or on Seinfeld/Zellweger riffing - because that's a bit weak too.
I was waiting (along with 40 easily bored children, who didn't get the Pomp & Circumstance joke when I did, to my embarrassment) for some drama to cut in, rather like the revenge or rescue plots of the Toy Stories. The writing team are keen not to get in too deep and stick to the surface gags. Though these revive every so often, it's not particularly satisfying over 90 mins. 4/10
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