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Black Book (2006)

Zwartboek (original title)
R | | Drama, Thriller, War | 18 May 2007 (USA)
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1:54 | Trailer
In the Nazi-occupied Netherlands during World War II, a Jewish singer infiltrates the regional Gestapo headquarters for the Dutch resistance.

Director:

Paul Verhoeven
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Popularity
3,234 ( 374)
Nominated for 1 BAFTA Film Award. Another 13 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
Carice van Houten ... Rachel Stein / Ellis de Vries
Sebastian Koch ... Ludwig Müntze
Thom Hoffman ... Hans Akkermans
Halina Reijn ... Ronnie
Waldemar Kobus ... Günther Franken
Derek de Lint ... Gerben Kuipers
Christian Berkel ... Gen. Käutner
Dolf de Vries Dolf de Vries ... Wim Smaal - Notary
Peter Blok ... Van Gein
Michiel Huisman ... Rob
Ronald Armbrust Ronald Armbrust ... Tim Kuipers
Frank Lammers ... Kees
Matthias Schoenaerts ... Joop
Johnny de Mol ... Theo
Xander Straat Xander Straat ... Maarten
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Storyline

Israel 1956. Rachel, a Jew, rather unexpectedly meets an old friend at the kibbutz where she is working as a teacher. It brings back memories of her experiences in The Netherlands during the war, memories of betrayal. September 1944. Rachel is in trouble when her hiding place is bombed by allied troops. She gets in contact with a man from the resistance and joins a group of Jews who are to be smuggled across the Biesbosch by boat to the freed South Netherlands. Germans from a patrol boat murder them all however. Only Rachel is able to escape. She is rescued by a resistance group under the leadership of Gerben Kuipers. When Kuipers' son is captured after trying to smuggle weapons, he asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze. Soon she will find out the attack in the Biesbosch wasn't a coincidence. Written by Arnoud Tiele (imdb@tiele.nl)

Plot Summary | Plot Synopsis

Taglines:

To fight the enemy, she must become one of them.

Genres:

Drama | Thriller | War

Motion Picture Rating (MPAA)

Rated R for some strong violence, graphic nudity, sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Netherlands | Germany | UK | Belgium

Language:

Dutch | German | English | Hebrew

Release Date:

18 May 2007 (USA) See more »

Also Known As:

Black Book See more »

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Box Office

Budget:

$21,000,000 (estimated)

Opening Weekend USA:

$112,521, 8 April 2007

Gross USA:

$4,398,532

Cumulative Worldwide Gross:

$26,768,563
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Due to the production being partially financed with British money, the original editor on the movie was British, but director Paul Verhoeven fired him over creative differences. Job ter Burg and another editor were then asked to edit a sequence of the movie as a test. Ter Burg expected that Verhoeven would end up using one of his Hollywood editors, but was surprised to hear that he got the job several days later. He has been Verhoeven's steady editor ever since. See more »

Goofs

When Ellis is driving the Jeep, Gerben says "Go Left" and they turn right and find what they are looking for on that road up ahead. See more »

Quotes

Rachel Stein aka Ellis de Vries: I never knew this would happen. To fear the liberation...
See more »

Connections

Referenced in De slimste mens ter wereld: Episode #11.24 (2018) See more »

Soundtracks

A Hundred Years from Today
Composer: Victor Young
Arranged and Produced: Piet Souer
Authors: Joe Young, Ned Washington
Performed by Carice van Houten
Publisher: EMI Robbins Catalog Inc.
Netherlands: EMI Music Publishing (Holland) BV
See more »

Frequently Asked Questions

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User Reviews

 
Verhoeven on top form
30 January 2007 | by Chris_DockerSee all my reviews

Director Paul Verhoeven's self-confessed aim is to combine art and business, appeal to a broad audience, and yet still have some endurance. The fame of films like Basic Instinct and Total Recall is lasting, yet they court criticism with their use of sexuality or by playing to the (easily dismissible) sci-fi genre. Graphic sex and violence are common in his movies and, when you add the occasional major flop such as Showgirls, the work of Verhoeven often fails to be taken seriously. Yet Black Book deserves respect. It is a wartime resistance movie on an epic scale, freed of the conventions of British and American war movies, yet bringing their typically high production values to a uniquely Dutch film.

Israel 1956. A Holy Land Tours bus stops off at a Kibbutz. One of the passengers recognises a teacher there, Rachel, from times they had shared during the war. As her friend leaves, Rachel thinks back to Holland in 1944. She was an accomplished cabaret singer but also Jewish. She was in hiding, waiting for the war to end. But chance misfortune means she has to try to make a getaway with some other Jewish people. They are ambushed, and she is almost shot. A little later she starts working for the resistance ('terrorists' as the Nazis call them) and infiltrates the Gestapo, seducing a high ranking officer called Muntze.

What follows is a frantic game of cat and mouse, espionage and counter-espionage. Rachel (now called Ellis) is torn between the horrors inflicted on her friends close-by and the elaborate deceits she tries to play to save them. Gradually it becomes clear that Muntze, anticipating the end of the war, is risking his neck to try to minimize death and suffering on both sides, and one or more of the resistance fighters is selling out to the Nazis to reap rich profits. Muntze, like Rachel, has had to overcome great losses. Their humanity is a bridge that brings them closer.

Rachel/Ellis is played by Carice van Houten, a leading actress of the Dutch screen. Her presence is luminous and charismatic (for British/American audiences, there is the curious sensation of watching someone unknown who radiates star quality with every breath). Her character has to adapt to many contrasting situations yet there is an underlying determination and fast thinking that shines through and makes such changes seem in character and unscripted. We share her emotional struggle and watch her pit her wits against the Gestapo (who are not exactly stupid). The movie is worth seeing for her performance alone.

On the one hand, the film has been minutely researched, based on actual events and characters; on the other it still has the slightly larger than life gloss we might associate, say, with a James Bond film. The escapes are in the nick of time, the sex scenes are steamy, and the plot twists increase exponentially as we get closer to the end.

Not content to portray the unique conditions of Holland during the occupation, Black Book goes on to catalogue post war atrocities and Rachel's eventual journey to Israel. The style and delivery will not appeal to everyone, but Black Book is Verhoeven on top form, delivering grand entertainment that shows his talents (and those of the remarkable Carice van Houten) at their finest.


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