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Call Me: The Rise and Fall of Heidi Fleiss (2004)

The story of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She ... See full summary »

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Cast

Cast overview, first billed only:
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Heidi Fleiss (as Jamie-Lynn DiScala)
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Dr. Paul Fleiss
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Lauren
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Sgt. Willeford
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Charisse
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Police Chief
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Steve
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Madame Alex
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Hrant Alianak ...
Prince Hassan
Griselle Amaro-Galvan ...
Hispanic Maid
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Reporter #2
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Tracey
Kylie Beaven ...
Young Amy
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Security Guard
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Storyline

The story of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She took over her boss' operation and soon was raking in $300,000 a month by hiring only the most beautiful and highest-class hookers and catering to wealthy Hollywood types, European and American corporate executives and Arab sheiks. Her operation was broken up by Los Angeles police in 1993, and she eventually went to prison for income-tax evasion. Written by frankfob2@yahoo.com

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Genres:

Crime | Drama | Romance

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Release Date:

29 March 2004 (USA)  »

Also Known As:

Going Down: The Rise and Fall of Heidi Fleiss  »

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Technical Specs

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1.78 : 1
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Did You Know?

Trivia

The real life Heidi Fleiss and Emmanuelle Vaugier (who played Lauren), were both romantically connected to Charlie Sheen. In fact he was a regular customer of Madame Fleiss' high class escorts before they started dating. Emmanuelle Vaugier met him on the set of "Two And A half Men", when she played his fiancee, Mia. See more »

Goofs

When Heidi is having sex with the rock star, after he comments about her "taste", she rolls over and the skin-colored cover on her "private" area is visible. See more »

Quotes

Heidi Fleiss: [narating, as bikini girls scramble for cover during police raid] If you're going to have an illegal business, you'd better be driving the best car, living in the best house, screwing the best-looking people and spending every dollar you make, because sooner or later, you're going to get caught.
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User Reviews

 
Bad central casting, softcore porn styling and hooking clichés quickly sink this quick-buck enterprise.
14 August 2007 | by See all my reviews

Wild child Heidi Fleiss goes from party girl to queen of Hollywood commercial sex - but the careless house-of-cards soon starts to wobble. Based on an over-reported true story.

Money. Sex. Power. Like cherries on a one armed bandit when they line up you should give a decent pay-out. Here, however, they barely give out a profit.

For a start sex on the mainstream screen is all about foreplay, tease and aftermath rather than the act. The power soap operas like Dallas and Dynasty used sex with far more effect than these producers because they knew the audience could fill in the blank between the bedroom door and next morning themselves. Here we are forced to watch a coupling only being performed for financial gain. There is no before and no after. Nothing has changed. We learn nothing. Does the fact that big money is being exchanged add anything or change anything? Is it any more dramatic (or different) from what goes on in a motel room on the wrong side of town?

Jamie-Lynn Sigler was good (as the questioning daughter) in the Sopranos, but that was an undemanding role. Here she plays a complex women who is supposed to be smart and yet at the same time very dumb. Well dumb if not going to jail is one of your high priorities in life. She also mixed selling drugs with selling sex - one of the golden no-no's. She all but painted a cross on her forehead. Add her refusal to pay bribes/inform to the police and you have a perfect "how not to do it."

Nick Bloomfield's documentary was far more interesting as it played her life as unscripted comedy and tragedy. A bizarre version of the American dream where being famous and being infamous are pretty much the same. I am all for the legalisation of prostitution, but if these are the people that are going to benefit then maybe things are not so bad as they are...


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