It's All Gone Pete Tong

This film played the second night at Gen Art's 10th Annual Film Festival. I was expectedly waiting for the "big name" films Standing Still and Southern Belles but one of the Gen Art staff recommended I watch Pete Tong. Knowing a little bit about dance music (Moby, Paul Oakenfold, Fatboy Slim) and having watched just a couple of flicks (Go, Groove, 24 Hour Party People), my expectations were low. The theater was packed. Within the first 10 minutes, I was hooked. The opening sequence has Paul Kay (Playing the famous DJ Frankie Wilde) descending from the ceiling of a Ibiza club on a guide wire and then falling into a pool! The music THUMPS THUMPS THUMPS and the theater had the volume jacked so that you could feel the bass and vibrations. The plot is fairly predictable but the main actor does an amazing job. The film is well shot with beautiful colors, but lots of close-ups. Don't sit too close to the screen on this one. The furry Coke Badger gives us a humorous glimpse at the personification of addition. All in all, a fun show with a (Happily) cheesy ending. The film ended up winning both the Best Picture and Audience Awards.

The movie is very good, very well shot and the director deserves praise for his work. Kaye gives a memorable performance. The story is good, with a strong melodramatic theme, as the film is not so much about Djs than about handicapped hearing impaired people. It is sad and sweet at moments with very moving moments. Some touches of black humor, very British, a bit of swearing and two macho crass jokes don't spoil the overall feeling of despair and total compassion you feel for the human beings portrayed. The music is good not so much the dance music but the score. The picture is superb knowing it was shot on digital. It's a low budget movie which looks like a 10 million dollar film. And a meaningful film. Not to be missed. A true achievement.

Considering the beating this film got in some reviews, I went to see it the other day, not expecting much from it. Surprisingly though, the film was pretty damn good! Paul Kaye (some of you will remember his often hilarious Dennis Pennis taking the mickey out of celebrities at film premiers) plays Frankie Wilde a mega famous DJ who's bringing dance music to Ibiza. All's going well for Frankie, he's rich, successful, has a wife and a string of sexy ladies on the side. All this goes down the drain when Frankie starts to lose his hearing, which of course, is not that good for a famous DJ. Kaye delivers some funny, upbeat lines throughout the film and so long as you don't mind his gurning for laughs, you'll enjoy the flick. Despite his arrogance and dirty coke and drink habits you find yourself cheering Frankie along and when he meets Spanish lip-reader Penelope you almost want him to get his hearing back for good. Although a gag-fest, filled with dirty humour and teenage-boy jokes, It's All Gone Pete Tong is a funny, witty film which will happily fill an hour or two in the coming summer months.

This amazing movie just won the grand prize at this weekend's US Comedy Arts Festival and it totally deserved it! I normally would have written this movie off without ever seeing it because I figured I'd hate it since I'm not into the DJ thing, but the audience in attendance, myself included, at the two screenings were floored! I even went back the second night to see it again and Ben Stiller had volunteered to introduce because he loved it so much and wanted to give it some extra attention. I think they said it's coming to theaters around April but I'm not sure. Anyway, you MUST go see it. Paul Kaye (he won best actor for the film, too) was supposed to be there but I never did see him. Too bad... This film wouldn't have been the same without his spot-on portrayal of DJ Frankie Wilde and I'd like to have seen his acceptance speech.

I was fortunate enough to score a ticket to the 9:45 AM screening of this film at the Toronto Film Festival. It's not usual that I'll be anywhere at eight AM, let alone standing in line, but as a fan of FUBAR, I simply had to see this movie. I'm not going to give anything away, nor will I waste space with a synopsis, but I will tell you that this is one of the best films I have ever seen. Paul Kaye does a remarkable job capturing both the humorous and painful essence of Frankie Wilde, a God-like worshiped DJ hammered with immense fame, beautiful girls, endless drugs and the physical toll of his role in the music scene. I'd never seen Paul in a film before, but after this I'm sure he'll be everywhere and I think that's awesome because his performance was Oscar worthy. Alongside Paul, is Mike Wilmot playing the part of Max Hagard and after his hilarious performance I cannot imagine anyone else in the part. Wilmot nailed it with grace, for he would spit out his lines with such conviction and meticulous comic-timing that he often caused gut-wrenching laughs and applause from the theater crowd.

Actors aside, it's the brain of Michael Dowse that we have to thank for such a film. Shot on a Sony 300 (I think) it has a crisp vivid look that sucks you in from the first frame. For the record, I hate house music, but I found myself so engrossed in the film that my head was bobbing to the beat. I didn't know what to expect after FUBAR, well okay "funny" was what I prepared myself for and it came in waves of hilarity. But it was the charming story, stellar performances and clever dialogue that make this picture stand way above the crowd. Seeing "It's All Gone Pete Tong" was a total cinematic sensory overload. At times I felt like someone was main-lining cocaine and scotch into my forearm while at others it was as if I was getting a warm hug from a loved one. FUBAR rocked and put Micheal Dowse on the map but "It's All Gone Pete Tong" that can, should and will, take over the world. Without blinking I give this 10/10 and encourage you to check it out and see what the hell I'm raving about.