Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic.Written by
This film was the official submission of Austria for the Academy Awards in the 'Best Foreign-Language Film' category, but was disqualified then because it was not "predominantly shot in the official language of the submitting country," but rather in French. The controversy that ensued over that - as well as the virtually simultaneous disqualification of Italy's submission of the Arabic- and Hebrew-language film Private (2004) - prompted the foreign language committee to enact a rule change the following year that made any language acceptable in a foreign language submission - hence Canada's submission of a Hindi-language film in 2007 (Water (2005)) and Australia's of a German-language film in 2012 (Lore (2012)). Any language, that is, except English. See more »
During the tape where Georges pulls up in his car and parks at night the headlights clearly cast a huge distinct shadow of the camera on the wall. See more »
Isn't it lonely, if you can't go out?
Why? Are you less lonely because you can sit in the garden? Do you feel less lonely in the metro than at home? Well then! Anyway, I have my family friend... with remote control. Whenever they annoy me, I just shut them up.
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What was hidden was the plot...............you never find it
So much potential was wasted. This was neither disturbing or dark, but it was suspenseful. The viewer is drawn to watch the endless conversations, and the endless camera shots, in the hope of being given just enough to resolve what the heck is going on. Like a long joke with a pointless punchline you will be left sorely wanting, highly frustrated, and in my case laughing hysterically as to how you were drawn into the empty attempt at exploring guilt and acceptance. I do not need to have the entire story explained to me. Nor do I need all loose ends tied up. Deep thinking movies can indeed both inform and intrigue. This did neither. This movie was like an old relative you never want to talk to. They ultimately spend hours talking with nothing to say.
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