A drama exploring the romantic past and emotional present of Ann Lord (Vanessa Redgrave) and her daughters, Constance Haverford (Natasha Richardson) and Nina Mars (Toni Collette). As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life fifty years ago, when she was a young woman. Harris Arden (Patrick Wilson) is the man Ann loves in the 1950s ... See full summary »
In colorful, bustling modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's therapist, Dr. Lisa Metzger, who is working to help Rafi overcome her fears of intimacy, finds out that Rafi's new lover is--unfortunately for Lisa--her only son, David. Both David and Rafi must contend with their 14-year age gap, vastly different backgrounds and the demands of David's traditional mother. Despite their intense attraction, the charmed couple soon realizes that vastly different ages and backgrounds create much conflict. A Jewish hip-hop lover and closet painter who still lives with his grandparents, David has little in common with Rafi--a non-practicing Catholic from a wealthy, broken family who travels in the sophisticated, high-end world of fashion.Written by
Anthony Pereyra <email@example.com>
Rafi is 37 years old; Dave is 23. This may be a joke on the movie's title, as 37 and 23 are both prime numbers (i.e., numbers that are divisible only by themselves and by 1). See more »
When David and Morris are going to throw the pie, the shot of the Verazzano Bridge is a different location than the background scenery when they are talking to each other. The bridge shot is from 3rd avenue on 100th street, while the background shots (when they're talking to each other and are shot from the front) are from elsewhere. See more »
Oh, I'm sorry. It's so hot in here, and I can't figure this stupid thing!
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Meryl Streep is the closest actress we've got to the great old stars of yesteryear. Bette Davis comes to mind. Meryl was trim and sexy a couple of years a ago in "Adaptation" now in "Prime" she's a matronly Jewish mom filled with sense and sensibility. She is also very funny and the main reason to see this Jewish American farce. When she's on, we're on. I believed and enjoyed her predicament. I only wish the script, dealing with the relationship of Uma Thurman and Bryan Greenberg had been a bit smarter and more engaging. I bought that the sex was great and that Uma was discovering herself through this younger lover but their intimacy is clumsy and their dialogue very slight. It is as if the two Kauffman's of "Adaptation" were at work here and that the scenes involving Meryl were written by one and the scenes with the lovers by the other. The former ones however makes the evening a very pleasant one.
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