A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
In colorful, bustling modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's therapist, Dr. Lisa Metzger, who is working to help Rafi overcome her fears of intimacy, finds out that Rafi's new lover is--unfortunately for Lisa--her only son, David. Both David and Rafi must contend with their 14-year age gap, vastly different backgrounds and the demands of David's traditional mother. Despite their intense attraction, the charmed couple soon realizes that vastly different ages and backgrounds create much conflict. A Jewish hip-hop lover and closet painter who still lives with his grandparents, David has little in common with Rafi--a non-practicing Catholic from a wealthy, broken family who travels in the sophisticated, high-end world of fashion.Written by
Anthony Pereyra <email@example.com>
Sandra Bullock was originally cast as Rafi. Bullock wanted major script changes from writer/director Ben Younger but when he refused, she dropped out. Only two weeks before principal photography, Uma Thurman stepped in and replaced Bullock. See more »
Two obviously-different red Chrysler convertibles are used in the early sequence of David and Morris driving to Morris' ex-girlfriend's house. Close-up dialogue scenes filmed in the car show a large, conspicuous high-mount brake lamp on the car's trunk in the middle background, but exterior driving shots of the convertible show a different model, with no trunk light at all. See more »
Oh, I'm sorry. It's so hot in here, and I can't figure this stupid thing!
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A great, great movie, especially when one considers the stinkers that usually litter the romantic comedy landscape.
This movie was smart, funny and most importantly, REAL. The cheese is held to a minimum and characters do and say things that real people say. No monologues that sound like they were cribbed from 'Chicken Soup for the Soul', just real people reacting to each other and their circumstances.
Meryl Streep is great in this (and this is coming from a straight, twenty-something male) and Uma Thurman and Brian Greenberg have a real chemistry together. There are some real classic lines in this and it's a million times funnier and smarter than say, 'Monster in Law' or 'Just Like Heaven'.
As one who usually cringes my way through 9 out of 10 'chick flicks' this is the rare one out the ten that passes muster, and does so in a big way. I fear that this movie will be overshadowed by a bunch of other new releases when it comes out, but this one really deserves an audience.
Very underrated. One of the better films I've seen all year.
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