Prime (2005)

A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.

Director:

Ben Younger

Writer:

Ben Younger

Stars:

Uma Thurman, Meryl Streep, Bryan Greenberg

1 nomination.

Cast

Cast overview, first billed only:
Uma Thurman	...	Rafi Gardet
Meryl Streep	...	Lisa Metzger
Bryan Greenberg	...	David Bloomberg
Jon Abrahams	...	Morris
Adriana Biasi	...	Bay Ridge Blonde
David Younger	...	Brother #1
Palmer Brown	...	Brother #2
Zak Orth	...	Randall
Annie Parisse	...	Katherine
Aubrey Dollar	...	Michelle
Jerry Adler	...	Sam
Doris Belack	...	Blanche
Ato Essandoh	...	Damien
David Anzuelo	...	Bodega Counterman
Naomi Aborn	...	Dinah Bloomberg

Storyline

In colorful, bustling modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's therapist, Dr. Lisa Metzger, who is working to help Rafi overcome her fears of intimacy, finds out that Rafi's new lover is--unfortunately for Lisa--her only son, David. Both David and Rafi must contend with their 14-year age gap, vastly different backgrounds and the demands of David's traditional mother. Despite their intense attraction, the charmed couple soon realizes that vastly different ages and backgrounds create much conflict. A Jewish hip-hop lover and closet painter who still lives with his grandparents, David has little in common with Rafi--a non-practicing Catholic from a wealthy, broken family who travels in the sophisticated, high-end world of fashion.

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Plot Keywords:

cat | therapist client relationship | older woman younger man relationship | mother son relationship | painter | 

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Taglines:

She thought she could tell her therapist anything. But she's about to discover that she's already said too much...

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Genres:

Comedy | Drama | Romance

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Motion Picture Rating (MPAA)

Rated PG-13 on appeal for sexual content including dialogue, and for language

Details

Official Sites:

Official site [Russia] Universal [United States]

Country:

USA

Language:

English

Release Date:

28 October 2005 (USA)

Also Known As:

Couchgeflüster

Filming Locations:

Greenwich Village, Manhattan, New York City, New York, USA

Box Office

Opening Weekend USA:

$6,220,935, 30 October 2005, Wide Release

Gross USA:

$22,827,153

Cumulative Worldwide Gross:

$67,937,494

Company Credits

Production Co:

Prime Film Productions LLC,Stratus Film Co.,Team Todd

Technical Specs

Runtime:

105 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The dog sitting at Meryl Streep's feet as she is eating the pastrami sandwich with her husband is, in fact, her own dog - Digby.

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Goofs

Two obviously-different red Chrysler convertibles are used in the early sequence of David and Morris driving to Morris' ex-girlfriend's house. Close-up dialogue scenes filmed in the car show a large, conspicuous high-mount brake lamp on the car's trunk in the middle background, but exterior driving shots of the convertible show a different model, with no trunk light at all.

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Quotes

[first lines]
Lisa Metzger: Oh, I'm sorry. It's so hot in here, and I can't figure this stupid thing!

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Connections

Referenced in 500 Questions: Episode #2.1 (2016)

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Soundtracks

SHE'S GOT ME
(Remix)
Written by Mark Ronson, Daniel Merriweather, Reggie Watts
Performed by Daniel Merriweather
Courtesy of Allido Records

User Reviews

Meryl

Meryl Streep is the closest actress we've got to the great old stars of yesteryear. Bette Davis comes to mind. Meryl was trim and sexy a couple of years a ago in "Adaptation" now in "Prime" she's a matronly Jewish mom filled with sense and sensibility. She is also very funny and the main reason to see this Jewish American farce. When she's on, we're on. I believed and enjoyed her predicament. I only wish the script, dealing with the relationship of Uma Thurman and Bryan Greenberg had been a bit smarter and more engaging. I bought that the sex was great and that Uma was discovering herself through this younger lover but their intimacy is clumsy and their dialogue very slight. It is as if the two Kauffman's of "Adaptation" were at work here and that the scenes involving Meryl were written by one and the scenes with the lovers by the other. The former ones however makes the evening a very pleasant one.