IMDb RATING
5.5/10
6.8K
YOUR RATING
Marcos lusts after his boss's promiscuous daughter, but after botching an extortion scheme, he becomes wracked with guilt.Marcos lusts after his boss's promiscuous daughter, but after botching an extortion scheme, he becomes wracked with guilt.Marcos lusts after his boss's promiscuous daughter, but after botching an extortion scheme, he becomes wracked with guilt.
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This film is about a man and wife, who kidnapped a friend's baby for ransom. However, the baby died, and they have to live with the consequences.
The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.
There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.
The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.
There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.
There are many redeeming qualities about this movie, and I think it's better than most people are making it out to be. I really hope the idea of a struggle for redemption comes through. It did for me. If it does, then the film, in my view, succeeds in telling the story that it should. I should mention, the opening scene really pulled me in. How could it not, being graphic and striking? Some people might think it was gratuitous. I think it was integral to the story.
Element after element, plot event after event set the tone for a story that is being told. I could really appreciate the commentary about the extremes some people may go to (kidnapping) in Mexico. It's not an ordinary topic, and it's treated very well. Very creative. Including the title which I thought was very suitable for the film.
Give this a try. It's good if you're in the mood to get a slice of life of Mexico. I think it does just that in a creative and entertaining way!
Element after element, plot event after event set the tone for a story that is being told. I could really appreciate the commentary about the extremes some people may go to (kidnapping) in Mexico. It's not an ordinary topic, and it's treated very well. Very creative. Including the title which I thought was very suitable for the film.
Give this a try. It's good if you're in the mood to get a slice of life of Mexico. I think it does just that in a creative and entertaining way!
For two thirds of this film I was spellbound and then it suddenly span away from me. Listening to the director speaking afterwards, I think I know what went wrong and I shall have to view again some time to find out. It is all very watchable but slightly confusing towards the end, which is a shame and may be my fault, that of the director or even of Mexico itself. Whilst I have never been to the country it did seem that part of the lifeblood of this movie was the tangled city of contradictions itself. Even though not perfect in my eyes there was enough to show that this is a director of keen and original talent who will produce much more. His liking to work with non actors is welcome and his treatment of actual graphic sex is stunning. Very affecting, bitter sweet movie.
Battle in Heaven is an epic adventure in film in the urban world. It thrusts the viewer into many small worlds without fully explaining each world or how they are connected. You must be open and receive this film or you might be frustrated. The camera-work is radical in style yet actually slow and simple. It's just that nobody takes this truly panoramic approach. The use of music is also powerful and moving. Reygadas has really proved himself a force in cinema with this film.
Thematically, the film touches on many views -- one example if the fact that almost everyone looks ugly in this film, yet not repulsive. There is also a sense of raw sexual abandonment despite the lack of eroticism.
As well, the film deals with Mexican nationalism, and its Catholicism, and the army, in ways that will have relevance for Mexicans. There is beauty in this movie and the feeling of life's inherent tragedy. Decadence is present and evil casually introduced as an aside. You will also be awed by the bravery of the actors and moved by the raw and close-to-real sex acts.
Thematically, the film touches on many views -- one example if the fact that almost everyone looks ugly in this film, yet not repulsive. There is also a sense of raw sexual abandonment despite the lack of eroticism.
As well, the film deals with Mexican nationalism, and its Catholicism, and the army, in ways that will have relevance for Mexicans. There is beauty in this movie and the feeling of life's inherent tragedy. Decadence is present and evil casually introduced as an aside. You will also be awed by the bravery of the actors and moved by the raw and close-to-real sex acts.
As a Mexican, it is very exciting for me to find new proposals for Mexican modern films.
Unfortunately, must of the current Mexican movies are taking the same Hollywood recipe: beautiful actors, violence, soundtracks of well known Latin groups... Batalla en el Cielo does not follow this. The director, Carlos Reygadas, is a person that really wants to show what he has in mind, and does not care about considering distracting elements for having a greater impact in the audience.
I am against the use of sex for attracting audience to a film. However, I really think that some (not all) of the sex scenes of this movie were really part of the story. Also, showing sex as it is (not always as idealistic and esthetic as Hollywood has taught us) is an interesting proposal!
I consider that one of the main achievements of this movies is to show many cultural traits of my country:
-The view of the Catholic religion as a resource to erase the mistakes one has made: "you can do whatever you want, don't worry about the effects because God will always help you"
-The notorious gap between rich and poor people: when Ana refers to Jaime's servant as "la gata" in such a despective -but common- way.
-The double morale managed by Mexican: how can a prostitute, as Ana, can be a moral leader over Marcos's acts?
-The informal commerce (Marcos and his wife sold merchandise in the subway).
-The love for soccer (what can I say about that, if I love it?)
-Cheating on your partner
-The lifestyle in Mexico City, with its traffic jams, way people behave in the subway, neurotic people, kidnaps.
All the issues above are part of the Mexican life.
Personally, I consider the following opportunity areas:
-Not all the music that was used was OK. Sometimes it was too "belic" for me , but at least it is according to the scenes and most of it does not follow the marketing intentions to make you buy a soundtrack
-The audio quality should have been improved (it was not easy to understand, even for people used to the way people from Mexico City speak!)
-Some (very few!) parts were too slow... but considering Reygadas's style, I might think that it is part of his professional charm.
I like to see a different proposal. I would recommend this film to people that, at the time that they leave the theater, really want to think about human nature, rather than thinking if it was an erotic or violent film.
I hope my comment has been useful...
Unfortunately, must of the current Mexican movies are taking the same Hollywood recipe: beautiful actors, violence, soundtracks of well known Latin groups... Batalla en el Cielo does not follow this. The director, Carlos Reygadas, is a person that really wants to show what he has in mind, and does not care about considering distracting elements for having a greater impact in the audience.
I am against the use of sex for attracting audience to a film. However, I really think that some (not all) of the sex scenes of this movie were really part of the story. Also, showing sex as it is (not always as idealistic and esthetic as Hollywood has taught us) is an interesting proposal!
I consider that one of the main achievements of this movies is to show many cultural traits of my country:
-The view of the Catholic religion as a resource to erase the mistakes one has made: "you can do whatever you want, don't worry about the effects because God will always help you"
-The notorious gap between rich and poor people: when Ana refers to Jaime's servant as "la gata" in such a despective -but common- way.
-The double morale managed by Mexican: how can a prostitute, as Ana, can be a moral leader over Marcos's acts?
-The informal commerce (Marcos and his wife sold merchandise in the subway).
-The love for soccer (what can I say about that, if I love it?)
-Cheating on your partner
-The lifestyle in Mexico City, with its traffic jams, way people behave in the subway, neurotic people, kidnaps.
All the issues above are part of the Mexican life.
Personally, I consider the following opportunity areas:
-Not all the music that was used was OK. Sometimes it was too "belic" for me , but at least it is according to the scenes and most of it does not follow the marketing intentions to make you buy a soundtrack
-The audio quality should have been improved (it was not easy to understand, even for people used to the way people from Mexico City speak!)
-Some (very few!) parts were too slow... but considering Reygadas's style, I might think that it is part of his professional charm.
I like to see a different proposal. I would recommend this film to people that, at the time that they leave the theater, really want to think about human nature, rather than thinking if it was an erotic or violent film.
I hope my comment has been useful...
Did you know
- TriviaFor the US theatrical poster hair was digitally added to cover the breasts of Anapola Mushkadiz.
- GoofsDuring the scene where Ana and Marcos are making love, as the camera pans out, a crew member's reflection can be seen in the window.
- ConnectionsEdited into Samo je zemlja ispod ovog neba (2009)
- SoundtracksThe Protecting Veil
Written by John Tavener
Naxos Rights International
Chester Music Limited
Premiére Music Group
- How long is Battle in Heaven?Powered by Alexa
Details
Box office
- Budget
- €1,601,792 (estimated)
- Gross US & Canada
- $70,899
- Opening weekend US & Canada
- $20,351
- Feb 19, 2006
- Gross worldwide
- $258,227
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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