Set against the backdrop of 1950s New York, "Motherless Brooklyn" follows Lionel Essrog (Norton), a lonely private detective afflicted with Tourette's Syndrome, as he ventures to solve his friend's murder. Armed only with a few clues and the powerful engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance.Written by
According to the book "Room to Dream," when the book was first published in the 90's, David Lynch was offered the option rights to possibly produce and/or direct, but turned it down. See more »
Moses storms into the Mayor's office wanting to know why he wasn't given the City Planning Commissioner's title. After being told it was an oversight, Moses walks into the lobby and gets a commissioner's certificate that he subsequently fills out himself. Moses returns and pushes the certificate down the table to the Mayor. When he does so, the top right corner of the paper is permanently curled up. When the shot changes to the paper sliding up to the Mayor, the paper is perfectly flat. When it is slid back to Moses, the corner is curled up once again. See more »
Frank always used to say, "Tell your story walkin', pal." He was more philosophical than your average gumshoe, but he liked to do his talkin' on the move, so here's how it all went down. I got somethin' wrong with my head. That's the first thing to know.
It's like having glass in the brain. I can't stop pickin' things apart... twistin' 'em around, reassembling 'em. Words and sounds, especially. It's like an itch that has to be scratched.
[...] See more »
Shauna Lyn... this is yours as much as mine. See more »
Tune for Lester
Written by Dante Panzuti and Attilio Donadio
Courtesy of APM Music See more »
Gorgeous depiction of '50's New York in color & music despite dense plot.
If you couldn't keep up with Chinatown's and LA Confidential's plot and continuous placing and connecting of characters' names associated with civic and political corruption then Motherless Brooklyn will have you drowning in it.
That's why I give it a seven rating. It's almost 2 1/2 hours of figuring out what's going on and who's doing it, but at least the look and sound of the movie provides a huge respite with the best sounding Bee Bop jazz and lush background theme soundtrack I've ever heard in a movie.
As a photographer I thought the cinematography was stunning in color and composition, less film noir and more '50's style New York street Kodachrome photography with compositions of odd reflections and angles interspersed smoothly with the flow of the narrative master shots in a style similar to Winogrand and Vivian Maier.
The variety of vintage '50's automobiles in pristine and brand new condition with the rich look of Kodachrome color is another treat. The sound of the rattle of car doors slamming is even accurate.
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