American security guard Richard Jewell saves many lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist.
Director:
Clint Eastwood
Stars:
Paul Walter Hauser,
Sam Rockwell,
Brandon Stanley
Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes.
Jack Cunningham was an HS basketball phenom who walked away from the game, forfeiting his future. Years later, when he reluctantly accepts a coaching job at his alma mater, he may get one last shot at redemption.
The extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes, whose courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history.
Director:
Kasi Lemmons
Stars:
Cynthia Erivo,
Janelle Monáe,
Leslie Odom Jr.
Years following the events of The Shining (1980), a now-adult Dan Torrance must protect a young girl with similar powers from a cult known as The True Knot, who prey on children with powers to remain immortal.
The true story of a British whistleblower who leaked information to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the 2003 invasion of Iraq.
Set against the backdrop of 1950s New York, "Motherless Brooklyn" follows Lionel Essrog (Norton), a lonely private detective afflicted with Tourette's Syndrome, as he ventures to solve his friend's murder. Armed only with a few clues and the powerful engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance.Written by
Warner Bros.
Edward Norton was such a fan of Gugu Mbatha-Raw's acting that he wrote the part of Laura Rose (a character not present in the book) specifically for her. See more »
Goofs
The style of panic bar on the exit door in the auditorium at the public meeting was not invented until 1988 by Thomas Industries. See more »
Quotes
[first lines]
Lionel Essrog:
[narrating]
Frank always used to say, "Tell your story walkin', pal." He was more philosophical than your average gumshoe, but he liked to do his talkin' on the move, so here's how it all went down. I got somethin' wrong with my head. That's the first thing to know.
Lionel Essrog:
[real life]
If!
Lionel Essrog:
[narrating]
It's like having glass in the brain. I can't stop pickin' things apart... twistin' 'em around, reassembling 'em. Words and sounds, especially. It's like an itch that has to be scratched.
Gilbert Coney:
[...] See more »
Crazy Credits
Shauna Lyn... this is yours as much as mine. See more »
Motherless Brooklyn (opens Friday Nov 1)
My friend won advance screening tickets tonight for Motherless Brooklyn, which turned out to be a rather deluxe affair with wine and food served beforehand in the "VIP" cinema area of a cinema in Vancouver, Canada.
We needn't have worried that all these emoluments were buttering us up for a bad movie-it's a really good one and likely to get Oscar nominations for Edward Norton, who not only stars as Lionel but also directs and co-wrote the screen adaptation from a novel. When I was grasping for the real world connection I thought I saw in this feature drama, my husband prompted me the sociopathic mogul, Moses Randolph, depicted by Alec Baldwin in the film is only a thinly papered over Robert Moses. That smasher of neighbourhoods in the name of grand schemes had a leading role in the 2016 documentary Citizen Jane: Battle for the City, about Jane Jacobs and her fight for the soul of New York City. (That soul, I'm hearing, has suffered some blows of late.)
This 1950s period film has an instant classic feel to it. It has enough Hollywood dynamics and star power in it to pull in a larger audience but there's some very nice cinematography and lots of social relevance, both in the good old USA and in satellite nations like good old Canada, where I live, with regard to present-day politics and power-wielding at various levels by wealthy people. This is particularly the case when it comes to who runs city hall and gets to force out large numbers of people from the communities where they belong.
The city where I live has an ongoing struggle for which Motherless Brooklyn has relevant things to say. Even as I travelled to the cinema in question, I was distracted by the ugliness of the rapid-transit corridor it sits on which has been heavily redeveloped since the line went in for the 2010 Winter Olympics. The construction cranes are still plentiful, the featureless higher density buildings lining the route have an oppressive, mountain-view blocking dominance. Robert Moses/Moses Randolph or whoever wears their snappy shoes would love it.
Almost the only thing I was indifferent to in the film was the "brain thing" affliction of Norton's character, which seemed like some kind of cross between Tourette Syndrome, Obsessive Compulsive Disorder, and a revisiting of Dustin Hoffman's Rainman character, at times. The syndrome had relevance to the story, though, and there were some nicer moments in how it was depicted.
In addition to Ed Norton's strong performance and Willem Defoe's decent contribution, I enjoyed seeing Michael Kenneth Williams as a mellow jazz musician (I always think of him as Omar in The Wire.) Alec Baldwin was convincingly evil, though I think some real life power mongers prettify their harsh decisions, to themselves and others.
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Motherless Brooklyn (opens Friday Nov 1) My friend won advance screening tickets tonight for Motherless Brooklyn, which turned out to be a rather deluxe affair with wine and food served beforehand in the "VIP" cinema area of a cinema in Vancouver, Canada.
We needn't have worried that all these emoluments were buttering us up for a bad movie-it's a really good one and likely to get Oscar nominations for Edward Norton, who not only stars as Lionel but also directs and co-wrote the screen adaptation from a novel. When I was grasping for the real world connection I thought I saw in this feature drama, my husband prompted me the sociopathic mogul, Moses Randolph, depicted by Alec Baldwin in the film is only a thinly papered over Robert Moses. That smasher of neighbourhoods in the name of grand schemes had a leading role in the 2016 documentary Citizen Jane: Battle for the City, about Jane Jacobs and her fight for the soul of New York City. (That soul, I'm hearing, has suffered some blows of late.)
This 1950s period film has an instant classic feel to it. It has enough Hollywood dynamics and star power in it to pull in a larger audience but there's some very nice cinematography and lots of social relevance, both in the good old USA and in satellite nations like good old Canada, where I live, with regard to present-day politics and power-wielding at various levels by wealthy people. This is particularly the case when it comes to who runs city hall and gets to force out large numbers of people from the communities where they belong.
The city where I live has an ongoing struggle for which Motherless Brooklyn has relevant things to say. Even as I travelled to the cinema in question, I was distracted by the ugliness of the rapid-transit corridor it sits on which has been heavily redeveloped since the line went in for the 2010 Winter Olympics. The construction cranes are still plentiful, the featureless higher density buildings lining the route have an oppressive, mountain-view blocking dominance. Robert Moses/Moses Randolph or whoever wears their snappy shoes would love it.
Almost the only thing I was indifferent to in the film was the "brain thing" affliction of Norton's character, which seemed like some kind of cross between Tourette Syndrome, Obsessive Compulsive Disorder, and a revisiting of Dustin Hoffman's Rainman character, at times. The syndrome had relevance to the story, though, and there were some nicer moments in how it was depicted.
In addition to Ed Norton's strong performance and Willem Defoe's decent contribution, I enjoyed seeing Michael Kenneth Williams as a mellow jazz musician (I always think of him as Omar in The Wire.) Alec Baldwin was convincingly evil, though I think some real life power mongers prettify their harsh decisions, to themselves and others.