Motherless Brooklyn

After the end of this film, I was very grateful to Edward Norton. For the wise craft of each piece of the film. For atmosphere, music, cast, for the story and , sure , the New York of 1950. And for his Lionel Essrog. A seductive film for details, performances and for something defining a fine director. Sure, many lines of plot, to generous perspective and the end as a sort of compromise. But the good use of Alec Baldwin, Bruce Willis and Willem Dafoe is just a noble virtue. Not ignoring the job of Edward Dafoe himself and good jazz, smart use of interracial problems, the abuses for urban solutions and the reasonable solution for a delicate case. So, very subjective, a film reminding the art of Edward the Great.