Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith,
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
The teenage Ninja mutant snail DJ is observing his neighbor Nebbercracker on the other side of their street in the suburb that destroys tricycles of children that trespass his lawn. When DJ's parents travel on the eve of Halloween and the abusive nanny Zee stays with him, he calls his clumsy best friend Chowder to play basketball. But when the ball falls in Nebbercracker's lawn, the old man has a siege, and soon they find that the house is a monster. Later the boys rescue the smart Jenny from the house and the trio unsuccessfully tries to convince the babysitter, her boyfriend Bones and two police officers that the haunted house is a monster, but nobody believes them. The teenagers ask their video-game addicted acquaintance Skull how to destroy the house, and they disclose its secret on the Halloween night.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the original screenplay, DJ and Chowder are harassed by two bullies named Ryan and Cameron who get eaten after DJ purposely lures them to the house as bait. The two characters were removed from the screenplay because the studio thought their death was far too dark, and that the bullies combined with DJ's cruel babysitter, boyfriend, and Nebbercracker all made the film seem much more cruel. See more »
Zee had plenty of time to see the house in its "monster" state when she opened the front door to tell Chowder he had a phone call. See more »
A trio of preteens must work together to conquer the frightening house across the street when they discover that it is alive.
Let's be clear - Monster House is not your typical 'feel-good' children's movie. That isn't to say, however, that there are never any points where the viewer is allowed to feel good. In fact, I discovered, despite my initial resistance to a movie that I thought would simply impress me graphically, copious moments of warmth and humor within the unembellished and utterly human actions of the characters. This is the movie's paramount success. Not the plot, the myriad celebrity voices, or even the decisively unique and dazzling computer animation. Where Monster House really shines is within the dialogue and behavior of its perfectly believable personalities. From the girl-musings and growing pains of the pubescent DJ and Chowder to the cantankerous rantings of their crotchety old neighbor Nebbercracker, the cast is so natural that one would expect to run across such people within day-to-day life. It is this element that helps Monster House transcend an entirely surreal plot to make an idea so bizarre and twisted seem entirely real.
It is true that Monster House does contain a predominantly dark theme, with a considerable amount of eerie scenes to support it. I don't believe, however, that this should keep it from being shared with children, especially those preadolescences that will soon enough be able to relate to the emotions and actions of its protagonists. As long as younger children have the guidance of a parent or other compassionate adult, this film has the potential be viewed and adored by all ages.
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