Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
Four policemen go undercover and infiltrate a gang of football hooligans hoping to root-out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time... See full summary »
Goodbye Charlie Bright is the humorous and heart-warming story of the friendship between two teenage boys from a tough council estate. Set during a long hard summer it charts the close but volatile relationship between Charlie and Justin.
Following the deadly climax of "Green Street Hooligans," several members of the West Ham firm and numerous members of Millwall end up in jail. The GSE quickly discover the brutality of life... See full summary »
Jesse V. Johnson
The Football Factory is more than just a study of the English obsession with football violence; it's about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo-Saxon males fed up with being told they're not good enough and using their fists as a drug they describe as being more potent than sex and drugs put together. Shot in documentery style with the energy and vibrancy of handheld, The Football Factory is frighteningly real yet full of painful humour as the four characters' extreme thoughts and actions unfold before us.Written by
The Chelsea/Union Flag you can see hung up on the rear window of the coach when the firm is traveling "Up North", is in fact, a real Chelsea Headhunters flag given to the project by one of the original Headhunters. Also, the specific skull and cross bone (Deads Head/Totenkopf) symbol on the flag are symbols first used by the Prussian army under Frederick the Great and later used by the Stabswache, which turned into the Nazi Schutzstaffel, and is commonly used worldwide by Neo-Nazi and White Supremacy organizations. See more »
During the fight against Millwall, we see Raff on the floor with blood and bruises on his face. However, when the police arrive, we see Raff taunting them with no signs of being hurt at all. See more »
So... What do you do, then, Thomas?
[Thomas? I kick people's fuckin' heads in for a laugh. And you should know, div. You read the charges out]
Me? I work long and hard.
See more »
An auteur is regarded as a director who has a running theme throughout their resume . For example Robert Aldrich is considered a " sadistic " director and whileis films may be tame compared to the video nasty era the likes of TOO LATE THE HERO and ULZANA'S RAID do still come across as compellingly blood thirsty and violent . The films of Martin Scorsese usually involve protagonists being caught in an existentialist quicksand where the more they try and find their goal in life the more they sink into a problem of their own making . Let's not get too caught up in the auteur theory however because much of it is simply down to movie studios assigning scripts to well suited directors " Hey Marty , we've got a script here featuring a deranged loner wanting to join the mob . Bob and Leonardo have already signed on the dotted line . You interested ? " . Nevertheless it's obvious that Nick Love in the years ahead will be honoured in this fashion if only because his films feature blackly comical stories of working class British males fed up with the state of the nation
In terms of style and execution THE FOOTBALL FACTORY isn't a million miles away from the likes of TRAINSPOTTING and TWO SMOKING BARALLS . It's very quirky , rather episodic , fairly violent and oh so bloody entertaining . You could say it contains all the flaws of recent British movies like an overuse of the words " FAHKIN' " and " KANT " but we are talking about the notorious Chelsea headhunters football hooligans and there are admittedly some unlikely coincidences involved such as two of the headhunters burgling a house that belongs to... but unlike Love's later OUTLAW you never feel at how contrived these plot twists are which probably says much of the film's entertainment factor . It could also be that the original source was strong in the first place since I get the feeling that Love totally fails as a screenwriter of original material , certainly the problem with OUTLAW was an underdeveloped script with very underwritten characters who lacked a recognisable motive . Here it's obvious but never overstated that the motivation of becoming a hooligan is to belong to something . And unlike in OUTLAW when something funny happens in THE FOOTBALL FACTORY you genuinely do laugh instead of scratching your head wondering if in fact it's supposed to be funny
I have to confess that I've seen the feature films of Love back to front . I saw OUTLAW when it opened in the cinema in March , I saw THE BUSINESS a couple of months after that and saw THE FOOTBALL FACTORY for the first time last week . If Nick Love had released his films in that order then I would have said that here is a film maker who is really hitting his stride as his films just get better and better . Unfortunately what this means in reality is that Love is on a downhill curve and that nothing has come close to matching THE FOOTBALL FACTORY . One can only hope that the big screen remake of THE SWEENEY , a TV show well remembered for its mixture of black comedy and violence , will see a return to form for an underrated auteur
18 of 24 people found this review helpful.
Was this review helpful to you?
| Report this