During China's Tang dynasty the emperor has taken the princess of a neighboring province as wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without ... See full summary »
During the reign of the Tang dynasty in China, a secret organization called "The House of the Flying Daggers" rises and opposes the government. A police officer called Leo sends officer Jin to investigate a young dancer named Mei, claiming that she has ties to the "Flying Daggers". Leo arrests Mei, only to have Jin breaking her free in a plot to gain her trust and lead the police to the new leader of the secret organization. But things are far more complicated than they seem...Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
T'ang Dynasty AD/CE 618 - 907: House of Flying Daggers is set in AD/CE 859 (as stated above), near the end of China's T'ang Dynasty. The T'ang Dynasty enjoyed its "golden age" AD/CE 710-755, but corruption was, as always ,commonplace and Chinese peasants, as always, suffered. "A sequence of peasant uprisings beginning in [CE] 860 A.D. led to the demise of the T'ang Dynasty" ("T'ang Dynasty"). See more »
At one point during a scene between Jin and Mei, we seen Jins face on the left of the screen with a tree in the background on the right and his hair completely straight. The shot then cuts to Mei and then back to Jin where we see him with a tree on his left and his hair being blown by wind. See more »
[reaches for dagger in back]
Do not pull this dagger out. I'm sending you back to keep spying for us. You will be more convincing with a dagger in your back.
See more »
Treading merrily along the path of Hollywoodization (pardon my expression) started in Ying Xiong, director Zhang Yimou turned out another equally meticulously crafted product, Shi Mian Mai Fu, which was showcased to the world in the 2004 Cannes 'out of competition' category.
Meticulously crafted, SMMF starts by giving the audience an exceptional feast of the ear, putting them in a blind person's POV (or maybe I should say POH, 'H' for hearing). The duel of drums scene is brilliant. As if that is not enough, we are treated to another feast of sounds, this time the thundering hoofs and clashing weapon in the pursuit and attack of the blind girl.
Even more meticulously crafted is the color display. A top-notch cinematographer (Yellow Earth (1984)) before a director, Zhang does not appear to be able to tolerate anything that falls short of atheistic perfection. Although not as blatantly as in Ying Xiong, he exhibits here a color display that is equally dazzling. The landscape in the first couple of scenes is in mellowed brown, yellow and pale green. Then come the lush green hills and the dreamy world of the bamboo forest. Towards the end, we have a white birth forest and, for no apparent reason, are given a frame of only two seconds of a fiery stretch of fall colors. In the finale, the ominous dark clouds eventually produce a winter wonderland, to receive profuse splashes of crimson blood.
Crafted sight and sound is great, but over-crafted script and story is where SMMF falls down. In the show that I attended, the audience burst out in a clearly audible expression of mirth where none was intended by the script. I do recognize that this was due in part to the fact that they know Andy Lau too well. But then, some of the things were thrust at the audience so abruptly that I think their reaction is forgivable.
In a nutshell, Flying Dagger is no Crouching Tiger as Zhang Yimou lacks the heart, soul and sensitivity of Ang Lee. I remember watching a TV interview of Zhang a couple of years ago, when he intimated something to the effect that making movie is a market-driven affair and if the (global) market wants it, he'll make it. Well, he is at least honest about the whole thing and he did make Ying Xiong. But I do miss director Zhang's earlier work: Red Sorghum, Raise the Red Lantern, Qiu Ju Goes to Court, Living, Not One Less, My Father and Mother.
One final point of no particular consequence. Shi Mian Mai Fu (literal translation 'Ambushed on Ten Sides') is the best known piece of music for the lute-like pipa. I notice that three or four bars from the piece are featured in the background music, at the point when the blind girl's true identity is revealed.
Thank goodness it didn't get the Golden Globe....would have been SUCH an embarrassment if it did.
47 of 92 people found this review helpful.
Was this review helpful to you?
| Report this