5.8/10
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Ask the Dust (2006)

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Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.

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(screenplay), (novel)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Hellfrick
...
Mrs. Hargraves
...
...
Sammy
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Solomon
Ronald France ...
Columbia Sweeper
...
Filipino Houseboy
Donna Mosley ...
Red Headed Girl
Paul Rylander ...
Harold the Bartender
Natasha Staples ...
Denver Librarian
Wayne Harrison ...
Heilman
Yasuhiro Yoshimura ...
Japanese Vegetable Man (as Yoshimura Yasuhiro)
Sid ...
Willie the Dog
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Storyline

L.A. in the early 1930's: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he's mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. "Camilla Bandini": is it in the cards? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Passion and ambition drive two dreamers in 1930s LA. Their love affair is ferocious and hot-blooded as they fight the city and themselves to make their dreams come true.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality, nudity and language | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

13 April 2006 (Thailand)  »

Also Known As:

Pregúntale al viento  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$68,779, 12 March 2006, Limited Release

Gross USA:

$742,614, 14 May 2006
See more on IMDbPro »

Company Credits

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Technical Specs

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Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Writer/director Robert Towne became interested in the project when he met John Fante, the author of the novel, while doing research for Chinatown (1974). See more »

Quotes

Arturo Bandini: Take a look in the mirror.
Camilla: I don't want to look in the mirror.
Arturo Bandini: I don't blame you.
See more »

Connections

Follows Wait Until Spring, Bandini (1989) See more »

Soundtracks

Dames
by Al Dubin and Harry Warren
Courtesy of Warner Bros. Entertainment
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User Reviews

 
Frustrating
17 February 2006 | by See all my reviews

I had the pleasure of seeing Mr. Towne give a talk in Toronto, in which he mused on his long and (mostly) illustrious career. From Chinatown to Personal Best to The Firm, he spouted off anecdotes and insights into Hollywood and the screen writing process in general.

Then the audience was treated to a special preview screening of "Ask the Dust." It would seem that this has been a labour of love for Mr. Towne; one that has been several decades in the making. So in that sense, perhaps this film doesn't merit harsh criticism. The fact that Towne got it made is to be commended.

It's not a bad film, by any right. It boasts two decent performances from its leads Salma Hayek and Colin Farrell, lush cinematography, meticulous period detail and a sumptuous score. All the elements of a great film are there. However, nothing really gels.

My guess is that the source material is the film's ultimate downfall. It's dated, and contradictory. What begins as a pulpy potboiler in the vein of "The Postman Rings Twice" becomes a politically correct tirade against intolerance. Oh, and there's a healthy dose of "La Boheme" thrown in there for good measure.

The first half of the film is intriguing as the characters' motivations are enigmatic and unpredictable. Hayek comes across as a latina femme fatale, while Farrell plays the flawed noirish anti-hero. L.A. itself is a character - one of a city at odds with its surroundings. The description of the sand (or dust) from the desert filling the air is particularly poignant.

Halfway through, the film takes a perplexing turn. Turns out there is no mystery behind the motives of the leads. They just wanted to be loved/understood. Cue Hollywood clichés, and end scene. You can't help but be disappointed.

Perhaps in the hands of a '70s auteur director like Polanski, Antonioni or Bob Rafelson, the source material could have been tweaked or restructured to yield a more surprising and challenging film. I even wondered what the film would have been like with a 70s screen icon like Jack Nicholson or Al Pacino in the lead role.


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