Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
In Manhattan, the brilliant Chinese-American lesbian surgeon Wil is surprised by the arrival of her forty-eight year old widow mother to her apartment. Ma was banished from Flushing, Queens, when her father discovered that she was pregnant. The presence of Ma affects the personal life of Wil, who is in love with the daughter of her boss at the hospital, the dancer Vivian Shing. Once her grandfather has promised that her mother would only return to Flushing remarried or proving that it was an immaculate conception, Wil tries to find a Chinese bachelor to marry Ma.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Alice Wu: The flight announcer's voice in the airport scene and the woman eating an apple on the bus. See more »
Wil consistently wears her hair in a tightly pulled back ponytail, but shortly after her mother moves in she goes to visit her grandfather wearing an army T shirt. While she's adjusting the TV antenna, her hair is uncharacteristically puffed up with no explanation. All scenes before and after show her hair in the tight ponytail. Quite a bit later, there is a scene where Wil's mom sends her to the beauty shop to find out gossip. It's there that Wil is wearing the same army T shirt and getting her hair rolled up in big curls - the end result of which would be puffed hair! See more »
Vivian Shing, I'm asking you to dance with me.
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I recently saw a list and short synopses of the screenplays accepted for the Sundance Screenwriters Lab. In short the overall subject matter seemed to be death, doom and depression, i.e. serious subjects for serious films. I am sure that many good and possibly some great scripts and films will come out of the program.
Comedy is hard. Really hard. Okay, I'm willing to concede that teenage gross out bathroom humor movies probably aren't too difficult, and don't get me wrong I enjoy a good gastro-intestinal joke as much as the next person, but a movie that makes you laugh (a lot), touches your heart and just plain makes you feel good... well I think that is something quite rare -- especially these days.
Saving Face is one of the funniest, warmest, most heartfelt movies I have seen in a long, long time. Its a smart, insightful movie for adults. And like any really really good romantic comedy it is about much more than what is on the surface. I really don't care that it is Alice Wu's first film (although that makes her accomplishment all the more extraordinary) -- all I care about is that it isn't her last.
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