Raphael is a ghostwriter who takes a job writing for famous footy player Kevin. To his delight and his girlfriend, Murials horror, Kevins current girlfriend is an old (easily rekindled) ...
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1809, France. Captain Neuville is called to the front, leaving his future bride heartbroken. Her sister decides to write letters on his behalf to cheer her up. But it all goes south when Neuville reappears.
Director:
Laurent Tirard
Stars:
Jean Dujardin,
Mélanie Laurent,
Noémie Merlant
Michel Racine is a feared president of Assize Court, as strict with himself as with others. Everything changes when he meets again Ditte when she's selected as a juror in a criminal trial over which he presides.
Director:
Christian Vincent
Stars:
Fabrice Luchini,
Sidse Babett Knudsen,
Eva Lallier
Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow ... See full summary »
Director:
Xavier Giannoli
Stars:
Gérard Depardieu,
Cécile de France,
Mathieu Amalric
Black comedy about solitude and the dehumanization of the modern world, through the adventures of three men. First introduced is Alphonse Tram, an unemployed young man. His only neighbour ... See full summary »
Director:
Bertrand Blier
Stars:
Gérard Depardieu,
Bernard Blier,
Jean Carmet
France under occupation by the Germans during WW2: Two men inspired by a free France radio broadcast perpetrate an act of sabotage with unwitting consequences for them and their fellow villagers.
Director:
Jean Becker
Stars:
Jacques Villeret,
André Dussollier,
Thierry Lhermitte
Bernand Fréderic is a mediocre bank executive, married, with a son. He used to have another profession: look-a-like of French star Claude François. Now, with the Imitators Gala Night coming... See full summary »
A successful entrepreneur in his fifties decides to abandon his loved ones and the empire he has built to find the liberty he yearns for, unaware that the itinerary of one's life often changes in the funniest of ways.
Greg founded a company called Alibi.com that creates any type of alibi. With his associate, Augustin, and Medhi his new employee, they devise unstoppable stratagems and stagings to cover ... See full summary »
Director:
Philippe Lacheau
Stars:
Philippe Lacheau,
Élodie Fontan,
Julien Arruti
Raphael is a ghostwriter who takes a job writing for famous footy player Kevin. To his delight and his girlfriend, Murials horror, Kevins current girlfriend is an old (easily rekindled) flame of Raphaels. A freak accident leaves a close friend dead and Raphael is forced to reconsider his priorities.Written by
kwedgwood@hotmail.com
God did I laugh all the way through this movie ! I just loved, loved, loved it. I agree it is not as profound as a Woody Allen feature, nor will it be remembered as a masterpiece in sociological studies, but this enchanting comedy manages to be funny and heartwarming without taking the audience for granted. I bet anyone over 30 will recognize something about him/her self in the characters.
Raphael (Edouard Baer, France's answer to Hugh Grant) is in his mid thirties. He's writing famous people's autobiographies -- and obviously his name never appears on the book's sleeve. And he's fine with that. His girlfriend, Muriel (Marie-José Croze, a character actress with girl-next-door appeal) doesn't understand his reluctance to publish his own works under his name : what is he hiding from and what exactly is he scared of ? One day, Raphael's boss assigns him to write the biography of a dumb, ultra famous football player, Kevin (Clovis Cornillac, hilarious). When Raphael realizes that Kevin's girlfriend is his former college flame, Claire (Alice Taglioni, playing the high powered bitch you can't help falling for), things go reaaaaaally ugly... and incredibly funny. Add to that Raphael's two buddies, neo hippie Jeff (Eric Berger) and yuppie Max (Jean-Michel Lahmi), and you've got a movie that's really hilarious in its depiction of french thirtysomethings searching for the true meaning of their lives.
The film has already been despised by some movie critics and intellectuals who wrote in their columns that the situations are so exaggerated that they build an unbreakable wall between the movie and the audience. But that's the point of a farce, actually. And when deep within the farce and the absurdity of the comic situations you can still be moved and you still recognize yourself, then the director's won the game. And I totally surrender to Laurent Tirard (the director)'s talent : the movie's a knock-out, albeit a funny one.
29 of 32 people found this review helpful.
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God did I laugh all the way through this movie ! I just loved, loved, loved it. I agree it is not as profound as a Woody Allen feature, nor will it be remembered as a masterpiece in sociological studies, but this enchanting comedy manages to be funny and heartwarming without taking the audience for granted. I bet anyone over 30 will recognize something about him/her self in the characters.
Raphael (Edouard Baer, France's answer to Hugh Grant) is in his mid thirties. He's writing famous people's autobiographies -- and obviously his name never appears on the book's sleeve. And he's fine with that. His girlfriend, Muriel (Marie-José Croze, a character actress with girl-next-door appeal) doesn't understand his reluctance to publish his own works under his name : what is he hiding from and what exactly is he scared of ? One day, Raphael's boss assigns him to write the biography of a dumb, ultra famous football player, Kevin (Clovis Cornillac, hilarious). When Raphael realizes that Kevin's girlfriend is his former college flame, Claire (Alice Taglioni, playing the high powered bitch you can't help falling for), things go reaaaaaally ugly... and incredibly funny. Add to that Raphael's two buddies, neo hippie Jeff (Eric Berger) and yuppie Max (Jean-Michel Lahmi), and you've got a movie that's really hilarious in its depiction of french thirtysomethings searching for the true meaning of their lives.
The film has already been despised by some movie critics and intellectuals who wrote in their columns that the situations are so exaggerated that they build an unbreakable wall between the movie and the audience. But that's the point of a farce, actually. And when deep within the farce and the absurdity of the comic situations you can still be moved and you still recognize yourself, then the director's won the game. And I totally surrender to Laurent Tirard (the director)'s talent : the movie's a knock-out, albeit a funny one.