Jindabyne (2006)

After four men on a fishing trip discover a dead body in the water, they choose to delay reporting it and continue fishing.

Director:

Ray Lawrence

Writers:

Beatrix Christian, Raymond Carver (short story "So Much Water So Close to Home")

Stars:

Laura Linney, Gabriel Byrne, John Howard

11 wins & 21 nominations.

Cast

Cast overview, first billed only:
Chris Haywood	...	Gregory
Tatea Reilly	...	Susan
Laura Linney	...	Claire
Sean Rees-Wemyss	...	Tom
Gabriel Byrne	...	Stewart Kane
Deborra-Lee Furness	...	Jude
John Howard	...	Carl
Eva Lazzaro	...	Caylin-Calandria
Maya Daniels	...	Caylin-Calandria's Mother
Bob Baines	...	Doctor #1
Max Cullen	...	Terry
Stelios Yiakmis	...	Rocco
Simon Stone	...	Billy 'The Kid'
Victoria Allen	...	Girl at Garage
Leah Purcell	...	Carmel

Storyline

Jindabyne, in the southeast section of New South Wales, was moved to its current site from its original site upon the building of a hydroelectric dam, the resulting reservoir, Lake Jindabyne, which now sits atop the original townsite. Among its residents are a group of friends who socialize together: married Stewart and Claire, a service station owner/former race car driver and a pharmacist respectively, and their adolescent son Tommy; married Carl and Jude, who have been guardians to their adolescent granddaughter Caylin-Calandria, Tommy's friend and disruptive classmate, ever since her mother's passing; Rocco and his new aborigine girlfriend, Carmel, a teacher at Tommy and Caylin-Calandria's school; and young parents Billy and Elissa, Billy who works casually as a mechanic for Stewart. Despite Stewart and Claire loving each other, there has long been disharmony in their household. Claire left for eighteen months following Tommy's birth due to post-partum depression. Then, Stewart's ...

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Plot Keywords:

bare breasts | scene of the crime | lying on a bed | man wears eyeglasses | serial murder | 

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Taglines:

In Australia, the town of Jindabyne is about to face a moment of truth.

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Genres:

Crime | Drama | Mystery | Thriller

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Motion Picture Rating (MPAA)

Rated R for disturbing images, language and some nudity

Details

Official Sites:

Sony Classics [United States]

Country:

Australia

Language:

English Irish Aboriginal

Release Date:

20 July 2006 (Australia)

Also Known As:

Duchy Jindabyne

Filming Locations:

Jindabyne, New South Wales, Australia

Box Office

Budget:

AUD 15,000,000 (estimated)

Opening Weekend:

$656,650 (Australia), 21 July 2006, Limited Release

Opening Weekend USA:

$28,298, 29 April 2007, Limited Release

Gross USA:

$399,879, 2 September 2007

Company Credits

Production Co:

April Films,Australian Film Finance Corporation (AFFC),Red Chair Films

Technical Specs

Runtime:

123 min 118 min (DVD censored)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The 'P' plate that is taken by the murderer from the young girl's concealed vehicle, is one of Australia's provisional licence placards. A person who has just got their licence is on P plates for 3 years and have certain restrictions.

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Goofs

Billy does not properly lock up the store when he rushes to the car, you can clearly see he doesn't turn the key at all.

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Quotes

Top Cop: We don't step over bodies in order to enjoy our leisure activities. You're a pack of bloody idiots. I'm ashamed of you. The whole town's ashamed of you.

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Connections

Referenced in On Location with 'The Irishman' (2006)

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Soundtracks

The way that I love you
Composed by Paul Kelly
Written by Paul Kelly

User Reviews

Guilt in a Glorious setting

This is an intriguing, evocative and multilayered film superbly acted and wonderfully filmed (mostly in single takes, it seems). It is also rather slow and meandering, and problematic. The basic plot could be set almost anywhere – failure of personal relationships in the context of a failure of civic duty, but Ray Lawrence has chosen to adapt Raymond Carver's short story of the fishermen who took their time over reporting finding a woman's body to a highly specific place, Jindabyne, NSW, and to include the vexed question of black/white relationships in Australia.

As is pointed out in one of those awful cheery 1960s documentary being shown to the kids in the local primary school, the present day Jindabyne is a "second chance" sort of place, the old town having disappeared under the waters of Lake Jindabyne during the creation of the Snowy Mountains Hydro Scheme, though at very low water levels the old church steeple is said to poke out of the water. Unfortunately, as we are shown in the opening sequence there is still evil in the new town in the shape of the local electrician (Chris Heywood, very nasty), who likes to hunt and kill young women. It is his victim's body the four fishing buddies, Stewart, Carl, Rocco and Billy, find in the stream, tie to a log, fish for a day, and then the next morning decide to raise the alarm.

When it becomes public that the four delayed reporting their find to go fishing (why didn't they lie about when they found the body?) there is a predictable uproar. The dead woman was aboriginal and the local aboriginals are particularly upset since they see this as symptomatic of whitey attitudes). Rocco's aboriginal girlfriend is not impressed. But the greatest emotional impact falls on Stewart (an Irishman) and his American wife Claire whose relationship is already rocky.

At one point I thought Claire was going to crack the case, but instead we get a literally hazy scene where some kind of reconciliation between black and white is attempted. After seeing the superb "Ten Canoes" recently I found the whole aboriginal storyline contrived. What I did think was very powerful and affecting was the portrayal of a damaged marriage. Gabriel Byrne does not put a foot wrong as Stewart, an ordinary bloke resigned to what little emotional comfort he can get from his family, and Laura Linney gives great depth to her role as his wife Claire, a woman for whom motherhood is a daunting task.

The rest of the cast are fine. Debra-Lee Furness as Carl's wife Jude makes a dislikeable character understandable, John Howard as Carl puts in a solid performance and there are two good performances from child actors Eva Lazzaro as Jude's disturbed granddaughter, and Sean Rees-Wemyss as Stewart and Claire's son Tom.

Ray Lawrence clearly did not set out to create a crime story but he certainly shows that crime can have some unexpected collateral damage. He also has contributed to the "Cinema of Unease", a phrase Sam Neill once used to describe New Zealand cinema, by setting a story about personal and public guilt in such a glorious setting.