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Title: Jindabyne (2006)
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| Cast overview, first billed only: | |||
| Chris Haywood | ... | Gregory | |
| Tatea Reilly | ... | Susan | |
| Laura Linney | ... | Claire | |
| Sean Rees-Wemyss | ... | Tom | |
| Gabriel Byrne | ... | Stewart Kane | |
| Deborra-Lee Furness | ... | Jude | |
| John Howard | ... | Carl | |
| Eva Lazzaro | ... | Caylin-Calandria | |
 |
Maya Daniels | ... | Caylin-Calandria's Mother |
| Bob Baines | ... | Doctor #1 | |
| Max Cullen | ... | Terry | |
|
|
Stelios Yiakmis | ... | Rocco |
| Simon Stone | ... | Billy 'The Kid' | |
|
|
Victoria Allen | ... | Girl at Garage |
| Leah Purcell | ... | Carmel | |
Jindabyne, in the southeast section of New South Wales, was moved to its current site from its original site upon the building of a hydroelectric dam, the resulting reservoir, Lake Jindabyne, which now sits atop the original townsite. Among its residents are a group of friends who socialize together: married Stewart and Claire, a service station owner/former race car driver and a pharmacist respectively, and their adolescent son Tommy; married Carl and Jude, who have been guardians to their adolescent granddaughter Caylin-Calandria, Tommy's friend and disruptive classmate, ever since her mother's passing; Rocco and his new aborigine girlfriend, Carmel, a teacher at Tommy and Caylin-Calandria's school; and young parents Billy and Elissa, Billy who works casually as a mechanic for Stewart. Despite Stewart and Claire loving each other, there has long been disharmony in their household. Claire left for eighteen months following Tommy's birth due to post-partum depression. Then, Stewart's ... Written by Huggo
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This is a 'typical' Ray Lawrence film. Similar in its dark view of the world, to his earlier 'Lantana'. The same slow, deliberate, menacing pace, drawing out evil in every corner ("shades of David Lynch's Twin Peaks" here). Our good ol' boy Aussies (one a transplanted Irish), on a weekend trout fishing trip away from their wives, 'park' the corpse of a murdered woman they discover floating in their stream. They continue with their fishing, not reporting the find until leaving the site - for which they are intensively and unremittingly attacked by all and sundry on their return. The fact that the dead woman is an Australian Aboriginal person adds to the 'political' impact of their offense. Through all this, the real serial killer (who we see from the first scene) hovers menacingly nearby.
An interesting, if somewhat cynical, view of the highly charged inter-racial atmosphere in the Australian community: white guilt and 'political correctness'. Who are the real villains here? Our 'politically incorrect' (and morally vacuous) protagonists? Or the murderer? Accoring to Lawrence, the former, apparently.
Taught and tense throughout, the film lacks a real resolution, opting instead for a rather 'weak' ending through the redemption of the fishers.