Jindabyne, in the southeast section of New South Wales, was moved to its current site from its original site upon the building of a hydroelectric dam, the resulting reservoir, Lake ...
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As Magdalena's 15th birthday approaches, her simple, blissful life is complicated by the discovery that she's pregnant. Kicked out of her house, she finds a new family with her great-granduncle and gay cousin.
Bradamante, a woman wearing an invincible suit of armor, is travelling the countryside at the time of the Crusades. After ending up in the middle of a web of romantic and cultural tangles, ... See full summary »
Zeudi Araya Cristaldi,
Barbara De Rossi,
Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading ... See full summary »
An American engineer in London, who is helping to dismantle the London Bridge to be transported to Arizona, strikes up an acquaintanceship with a young British woman. Several years later he... See full summary »
Robert Walker Jr.,
This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
Jindabyne, in the southeast section of New South Wales, was moved to its current site from its original site upon the building of a hydroelectric dam, the resulting reservoir, Lake Jindabyne, which now sits atop the original townsite. Among its residents are a group of friends who socialize together: married Stewart and Claire, a service station owner/former race car driver and a pharmacist respectively, and their adolescent son Tommy; married Carl and Jude, who have been guardians to their adolescent granddaughter Caylin-Calandria, Tommy's friend and disruptive classmate, ever since her mother's passing; Rocco and his new aborigine girlfriend, Carmel, a teacher at Tommy and Caylin-Calandria's school; and young parents Billy and Elissa, Billy who works casually as a mechanic for Stewart. Despite Stewart and Claire loving each other, there has long been disharmony in their household. Claire left for eighteen months following Tommy's birth due to post-partum depression. Then, Stewart's ...Written by
The 'P' plate that is taken by the murderer from the young girl's concealed vehicle, is one of Australia's provisional licence placards. A person who has just got their licence is on P plates for 3 years and have certain restrictions. See more »
The telephone number on the door of Gregory's, the electrician, Land Rover starts with '70'. This cannot be a Jindabyne telephone number as they start with '64' in that part of N.S.W., Australia. (Note that the code '70' is a special prefix for movie use. It is issued by the Australian Media and Communications Aurtority). See more »
We don't step over bodies in order to enjoy our leisure activities. You're a pack of bloody idiots. I'm ashamed of you. The whole town's ashamed of you.
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This is a 'typical' Ray Lawrence film. Similar in its dark view of the world, to his earlier 'Lantana'. The same slow, deliberate, menacing pace, drawing out evil in every corner ("shades of David Lynch's Twin Peaks" here). Our good ol' boy Aussies (one a transplanted Irish), on a weekend trout fishing trip away from their wives, 'park' the corpse of a murdered woman they discover floating in their stream. They continue with their fishing, not reporting the find until leaving the site - for which they are intensively and unremittingly attacked by all and sundry on their return. The fact that the dead woman is an Australian Aboriginal person adds to the 'political' impact of their offense. Through all this, the real serial killer (who we see from the first scene) hovers menacingly nearby.
An interesting, if somewhat cynical, view of the highly charged inter-racial atmosphere in the Australian community: white guilt and 'political correctness'. Who are the real villains here? Our 'politically incorrect' (and morally vacuous) protagonists? Or the murderer? Accoring to Lawrence, the former, apparently.
Taught and tense throughout, the film lacks a real resolution, opting instead for a rather 'weak' ending through the redemption of the fishers.
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