A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy ...
Cheryl Howard: (At four minutes and fifteen seconds) Ron Howard's wife can be glimpsed as an audience member (center frame, red shoulder-length hair) attending Professor Robert Langdon's lecture on Religious Symbology. (At five minutes and forty seconds) She can be seen clutching her copy of Langdon's autographed opus at his book-signing desk, and asking for him to sign his last book. See more »
Langdon and others continually refer to 'Leonardo da Vinci' as "Da Vinci". However, "da Vinci" refers to his city of origin, and is not technically a surname. Historians and art aficionados always refer to him as Leonardo. See more »
Stop now. Tell me where it is.
You and your brethren possess what is not rightfully yours.
I... I don't know what you are talking about.
Is it a secret you will die for?
As you wish.
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The "A" and "V" in the film title are replaced with the "Blade" and the "Chalice" symbols described by Langdon in the movie. See more »
The film was originally shown to the UK censors in an unfinished form, with a temp score and sound mix. The BBFC advised Sony Pictures that sound levels during some acts of violence may be too impactful for the requested "12A" rating, so the film was likely to receive a 15 classification. When formally submitted, the final levels of sound effects on the completed soundtrack had reduced the strength of some acts of violence to an extent which made the film able to get a "12A" rating. See more »
An entertaining, yet not spectacular movie about the book that made the World talk.
I just watched the film, and even though I liked it, I must confess, I too expected more. I can't precisely point out what was missing and what I was expecting, but some it has some details that weren't there, some small imprecisions, some little things could have been better.
Nevertheless, a pleasant movie to watch. I confess I need to see it again, since I saw it from 3 to 6 am, with very few hours of sleep on the night before. I suggest the ones who read the book to re-read it before they go see it - to add a little bit more perspective. To those who haven't, I wish you a lovely time at the movies - it really is pleasant to see.
Praise to Audrey Tautou, a beautiful splendid actress, and all the other actors that don't need any more praise, like Ian McKellen, Jean Reno and Tom Hanks, who I didn't see fit the part at first, but who grew on me half-way through the movie, if not sooner. A huge praise to Paul Bettany too, for his astonishing and disturbing performance as Silas.
I give it an 8, because it's one of the first movies made from books that did not make me go 'Oh, this was not like this in the book' every five seconds. I never saw Ron Howard as the ideal director for this movie - but he pulled it off decently, though a bolder choice would have been in order.
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