Land of Plenty (2004)

A drama that investigates anxiety and disillusionment in America.

Director:

Wim Wenders

Writers:

Wim Wenders (story), Scott Derrickson (story)

Stars:

Michelle Williams, John Diehl, Wendell Pierce

1 win & 3 nominations.

Cast

Cast overview, first billed only:
Michelle Williams	...	Lana
John Diehl	...	Paul
Shaun Toub	...	Hassan
Wendell Pierce	...	Henry
Richard Edson	...	Jimmy
Burt Young	...	Sherman
Yuri Elvin	...	Officer Elvin (as Yuri Z. Elvin)
Jeris Poindexter	...	Charles (as Jeris Lee Poindexter)
Rhonda Stubbins White	...	Dee Dee
Victoria Thomas	...	News Reporter
Matthew Kimbrough	...	News Anchor
Paul West	...	Policeman
Jeffrey Vincent Parise	...	Coroner's Assistant (as Jeff Parise)
Christa Lang	...	Trailer Park Woman
Warren Stearns	...	Mortician

Storyline

The American daughter of missionaries Lana returns to Los Angeles from Palestine to work in a mission helping homeless people. Lana was born in Ohio and raised in South Africa and Middle East, and she is an authentic citizen of the world, connected through Internet and aware of how other people see the lack of culture and knowledge and exaggerated patriotism of average American people. Her unique relative is her unknown uncle Paul, a veteran of Vietnam War that cut relationships with his family and is bigot and paranoid. Paul lives in a surveillance van, lives as if he were a secret agent, sees conspiracy and terrorist cells everywhere, and has a great prejudice against Arabs and other non-American breeds after the September, 11th. They meet each other, and when they see the murder of a poor Pakistanis nearby the mission, they travel together to the small town of Trone to deliver his corpse to the family, where Paul sees a different reality.

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Plot Keywords:

cigarette smoking | watching tv | vietnam war | borax | terrorist | 

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Genres:

Drama | War

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Certificate:

Not Rated

Details

Official Sites:

Manga Films [Spain] Océan Films [France]

Country:

USA Germany Canada

Language:

English

Release Date:

7 October 2004 (Germany)

Also Known As:

Angst and Alienation in America

Filming Locations:

Downtown, Los Angeles, California, USA

Company Credits

Production Co:

Emotion Pictures, InDigEnt (Independent Digital Entertainment), Reverse Angle International

Technical Specs

Runtime:

123 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Every member of the cast and crew received the same wage of US$100 a day.

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Goofs

When Henry picks Lana up from the airport, a member of the crew is visible in the rear window of his pickup truck, holding a bounce board to reflect light on the actors.

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Quotes

Paul: They're trying to destroy our country. They're trying to infect us. I'm not going to let them.

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Connections

Featured in The Making of 'Land of Plenty' (2005)

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Soundtracks

Expensive Being Poor
Written by T.V. Smith (as TV Smith)
Performed by T.V. Smith (as TV Smith)
Courtesy of JKP GmbH & Co. KG

User Reviews

Flags, flags, everywhere...

http://eattheblinds.blogspot.com/

There isn't too much to like about Wim Wenders' films over the last twenty years. There have been a few bright spots, but for the most part, Wenders' obsession with America has gotten the worst of him. In his prime, few directors since Antonioni were as adept at depicting inner monologues through silence. Wenders' characters were complicated men of few words.

Over time Wenders love affair with America somehow convinced him that the 'less is more' approach was failing. Wenders threw his greatest strength out the door and substituted it with what would become, over time and many films, his achilles heel: big ideas.

The characters in Land of Plenty aren't really individual people, they are ideas. These characters represent something grander, something excruciatingly ambitious: the American conscience. Lofty goals of this sort often end up as preachy and pretentious and LOP's screenplay is just that. Shot on the cheap, on digital video, LOP feels like noble idea rushed into production without the benefit of enough revisions to weed out the heavy handedness. Films concerned with the traumatic effects of 9/11 are compelled to be both profound and reverential, the problem is profound and reverential seldom make for a worthwhile movie going experience. If there was a rating system based on the number of American flags displayed in a movie, LOP would score full points, as it is, LOP rates very low.