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Heights (2005)

R | | Drama, Romance | 15 July 2005 (USA)
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Spanning twenty-four hours, Heights follows five New Yorkers challenged to choose their destiny before the sun comes up the next day.

Director:

Chris Terrio

Writers:

Amy Fox (screenplay), Amy Fox (play) | 1 more credit »
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Chandler Williams ... Juilliard Macbeth
Bess Wohl ... Juilliard Lady Macbeth
Glenn Close ... Diana
Elizabeth Banks ... Isabel
James Marsden ... Jonathan
Jesse Bradford ... Alec
Daniel Neiden Daniel Neiden ... Wedding Rabbi
Thomas Lennon ... Marshall
Matthew Davis ... Mark (as Matt Davis)
John Light ... Peter
Isabella Rossellini ... Liz
Susan Malick ... Rachel
Rachel Siegel Rachel Siegel ... Autograph Seeker
Katie Kreisler ... Helen
Philip Tabor ... Paul
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Storyline

Young and attractive lawyer Jonathan is soon to be married to Isabel but then he meets young actor Alec and they fall in love. Isabel's mother, Diana, finds out the truth about Jonathan who now has to choose between Isabel and Alec, and his choice is ...

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, brief sexuality and nudity | See all certifications »
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Details

Country:

USA

Language:

English | Spanish | Hebrew

Release Date:

15 July 2005 (USA) See more »

Also Known As:

Aukstumos See more »

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Box Office

Opening Weekend USA:

$52,885, 19 June 2005, Limited Release

Gross USA:

$1,158,405, 25 September 2005
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(DVD)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The Vanity Fair editor played by Isabella Rossellini mentions that Peter's interviewees will meet him at The Big Cup. Those interview scenes were filmed at the real Big Cup, a coffee shop in the Chelsea neighborhood (at 228 Eighth Avenue) that, before its 2005 closing, was a popular gathering for Chelsea's gay community. See more »

Goofs

When Alec is getting ready to come up to the building roof top to meet Jonathan, he grabbed a bottle of white wine with a golden colour seal. When Alec is on the roof top the bottle is of a red wine with a dark colour seal. See more »

Quotes

[on Benjamin Stone]
Scorned Woman: Son of a bitch was sleeping with my boyfriend. Son of a bitch.
See more »

Crazy Credits

The producers with to thank The Staff at Blue Rock ... See more »

Connections

References Persona (1966) See more »

Soundtracks

Fiesta El Solar
(1998)
Performed by Marc Ribot and Cubanos Postizos
Courtesy of Atlantic Records Group
By Arrangement with Warner Strategic Marketing
See more »

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User Reviews

 
Serendipity as Chamber Music
3 November 2005 | by gradyharpSee all my reviews

Often a film succeeds because of the story, or the writing, or the cast, or the direction. HEIGHTS succeeds brilliantly because of the combination of all of these elements in one of the finest films of the past few years. Beginning with the play and screenplay by Amy Fox, and as carefully and lovingly directed by Chris Terrio with a sterling cast, this film works its subtle magic of a story about serendipity and coincidences and how these alter our lives by accidental occurrences. Or are they accidental? Each of the well-drawn characters in this story is functioning at a level that involves the masks behind which we each hide our personal secrets or idiosyncrasies: each character is either at a 'height' or approaching one, and it is the interplay of these disparate people that creates phrases of music which ultimately combine in a series of themes and variations like a well-composed work of chamber music. And this all occurs within a twenty-four hour period in Manhattan.

Diana (Glenn Close) is the reigning New York actress currently preparing a production of 'Macbeth' with friend director Henry (Eric Bagosian) while simultaneously giving Master Classes at Julliard to a group of acting students who she declares lack passion! Diana's 'height' is challenged by her current anxiety over her open-marriage husband's rather serious affair with one of her students. She holds auditions and a young, struggling, and handsome actor Alec (Jesse Bradford) catches her interest and she sees in him the passion she craves and invites him to her party that evening. Alec, fearful of his chance at his 'height', hesitantly accepts.

Meanwhile Diana's photographer daughter Isabel (Elizabeth Banks) is fired from her portrait job only to be offered an important gig in Eastern Europe by an ex-lover, offering Isabel a chance at her own 'height'. Isabel is engaged to young ambitious lawyer Jonathan (James Marsden remembered for this superb acting in 'The 24th Day') who in preparing to marry a non-Jew is in counseling with his Rabbi (George Segal): there are obviously stresses on the incipient marriage that Jonathan has not revealed.

In another area of Manhattan, at Vanity Fair, Liz (Isabella Rosselini) taps reporter Peter (John Light) to do a story on a famous and gifted photographer known for bedding his nude male models. Peter is to interview each of the models for the story, and one of those models happens to be Jonathan! The entire group comes together at Diana's party and there the secrets of each of the characters gradually surface in coincidental ways and the story of how each of these interesting but tainted people respond to discoveries makes for the resolution of the story. Director Terrio uses finely honed techniques to slowly introduce each character, adding layers of information gradually, until the magnitude of these coincidences becomes dramatically tense and fascinating. This film is like standing in a darkroom watching a photograph slowly develop, revealing more of the details with each washing, until the final picture is filled with extraordinary details - some expected, others not. The cast is wholly superb and the degree of ensemble acting surpasses that of films of the recent past. If there is a criticism of the film it is a minor one: the ambient sound and musical scoring at times cover the dialog which make us strain to hear the whispered interchanges. But this is a brilliant film that immediately assumes a role in the pantheon of fine cinematic art. Highly recommended. Grady Harp


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