6.8/10
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49 user 68 critic

Yes (2004)

R | | Drama, Romance | 5 August 2005 (UK)
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2:13 | Trailer

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In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working ... See full summary »

Director:

Sally Potter

Writer:

Sally Potter
2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Shirley Henderson ... Cleaner
Joan Allen ... She
Sam Neill ... Anthony
Simon Abkarian ... He
Wil Johnson ... Virgil
Gary Lewis ... Billy
Raymond Waring ... Whizzer
Stephanie Leonidas ... Grace
Barbara Oxley Barbara Oxley ... Cleaner in Swimming Pool
Samantha Bond ... Kate
Kev Orkian ... Waiter
George Antoni George Antoni ... Kitchen Boss (as George Yiasoumi)
Beryl Scott Beryl Scott ... Cleaner in Laboratory
Sheila Hancock ... Aunt
Lol Coxhill Lol Coxhill ... Father Christmas
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Storyline

In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working as a chef in a London restaurant. They meet at a banquet and fall into a carefree, passionate relationship. But the contempt He perceives as a Muslim immigrant to the UK causes him to break up with She, offering little in the way of explanation, and return to his homeland. She drags his reasons out of him little by little and tries to sympathize. Keenly feeling the loss of his love, She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Carribean melting pot... Written by Joe Jurca

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »
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Details

Official Sites:

Sony Pictures

Country:

UK | USA

Language:

English

Release Date:

5 August 2005 (UK) See more »

Also Known As:

Да See more »

Filming Locations:

Cuba See more »

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Box Office

Budget:

£1,000,000 (estimated)

Opening Weekend USA:

$28,451, 26 June 2005, Limited Release

Gross USA:

$396,035, 25 September 2005
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The whole of the film's dialog is spoken in verse. See more »

Goofs

As "He" is chopping celery and talking to his crew, the knife in his hands changes from shot to shot. One shot has pieces of celery stuck to the knife while the other shows a clean blade. See more »

Quotes

Aunt: [thinking] Communism died, but what came in its place? A load of greed. A life spent longing for things you don't need!
See more »

Soundtracks

Waltz No. 7 in C sharp minor
Composed by Frédéric Chopin
Performed by Dimitri Alexeev
See more »

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User Reviews

 
Uncompromising Film with Serious Themes
24 July 2005 | by CharlieCalvertSee all my reviews

First off, you need to set your expectations. This is an extremely arty film. There are no explosions, chase scenes, or guns in this movie.

Instead, we have a film with metaphors, themes and relationships. There are few movies I have seen recently that attack such large and serious topics.

The major themes in this movie are God, love and politics. During the course of the movie, racism and war, terrorism and the Middle East, infidelity, atheism and Marxism are all brought on stage.

As if that weren't enough, the majority of the dialog is in rhymed verse, with perhaps occasional interjections of free verse. In fact, the entire very contemporary script has a vaguely Shakespearean feel to it, though there is no shortage of four letter words.

The entire cast of the movie is wonderful, but the centerpiece of the entire film is Joan Allen, who gives an almost supernaturally wonderful performance. The heart of the movie is a moving love story, but this is a serious romance with strong, deeply emotional scenes designed to reflect adult, rather than teenage, themes.

There are also major metaphors in the movie, such as the role of cleaning, which usually stands for an attempt to wipe out guilt or corruption, and the use of glass, and particularly glasses of water, to show the way different viewpoints distort a particular perception of reality.

If you are prepared to see a very serious, beautiful made, and extremely arty film, then this is an excellent way to spend your time. I simply loved the movie, and would probably enjoy seeing it again sometime soon. But please, don't bother to go if you are looking for something else. This is a very heartfelt and intense movie, which refuses to compromise.


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