6.8/10
2,897
49 user 68 critic

Yes (2004)

R | | Drama, Romance | 5 August 2005 (UK)
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In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working ... See full summary »

Director:

Sally Potter

Writer:

Sally Potter
2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Shirley Henderson ... Cleaner
Joan Allen ... She
Sam Neill ... Anthony
Simon Abkarian ... He
Wil Johnson ... Virgil
Gary Lewis ... Billy
Raymond Waring ... Whizzer
Stephanie Leonidas ... Grace
Barbara Oxley Barbara Oxley ... Cleaner in Swimming Pool
Samantha Bond ... Kate
Kev Orkian Kev Orkian ... Waiter
George Antoni George Antoni ... Kitchen Boss (as George Yiasoumi)
Beryl Scott Beryl Scott ... Cleaner in Laboratory
Sheila Hancock ... Aunt
Lol Coxhill Lol Coxhill ... Father Christmas
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Storyline

In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working as a chef in a London restaurant. They meet at a banquet and fall into a carefree, passionate relationship. But the contempt He perceives as a Muslim immigrant to the UK causes him to break up with She, offering little in the way of explanation, and return to his homeland. She drags his reasons out of him little by little and tries to sympathize. Keenly feeling the loss of his love, She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Carribean melting pot... Written by Joe Jurca

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »
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Details

Official Sites:

Sony Pictures

Country:

UK | USA

Language:

English

Release Date:

5 August 2005 (UK) See more »

Also Known As:

Да See more »

Filming Locations:

Cuba See more »

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Box Office

Budget:

£1,000,000 (estimated)

Opening Weekend USA:

$28,451, 26 June 2005, Limited Release

Gross USA:

$396,035, 25 September 2005
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Havana, Cuba, doubled for Beirut in the film because insurers refused to cover it after the war in Iraq. See more »

Goofs

As "He" is chopping celery and talking to his crew, the knife in his hands changes from shot to shot. One shot has pieces of celery stuck to the knife while the other shows a clean blade. See more »

Quotes

Aunt: If and when I die, I want to see you cry. I want to see you tear your hair, your howls of anguish fill the air. I want to see you beat your breast and rent your clothes and all the rest. And, sobbing, fall upon my bed I want to know that I am dead.
See more »

Soundtracks

Waltz No. 7 in C sharp minor
Composed by Frédéric Chopin
Performed by Dimitri Alexeev
See more »

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User Reviews

 
And the microbes lived happily ever after
29 October 2005 | by Philby-3See all my reviews

I was tempted to do this comment in iambic pentameter and rhyming couplets, but somebody from the "New Yorker" has already done it, and of course I would have run the risk of doing an even worse job than Sally Potter has.

Not that this is such a bad film – it's different from the normal run of romantic comedies. At times it becomes quite didactic as "He" asserts the Muslim philosophical position and "She" replies for the secular West. The dying Ulster communist Aunt's story is also an unusual ingredient. Even the more conventional elements – the alienated husband (Sam Neil), the empty affluence, the troubled teenager (Stephanie Leonidas), are deftly handled. I say "romantic comedy" because the film ends like one, but it could have equally ended as tragedy. "He" and "She" are both missing something, and find it in each other, only to discover that love does not always conquer all. One could blow one's brains out. But then one can always high-tail it to Cuba instead.

This is a very artful piece of film-making with some very clever camera-work and adroit use of music, but we still have a very ordinary story. Joan Allen as "she" does manage to transcend the material and make us care about her character, which is quite an achievement as the character is a beautiful middle-class Irish-American ice princess scientist stuck in a dead marriage whose only real passion is in what's at the other end of her microscope. It's interesting how she manages to appear so radiant, 10 years younger in fact, after her first roll in the hay with "He".

"He", the French-Armenian actor Simon Abkarian, comes across to start with as a bit of a cliché, the handsome charming feckless foreigner. He is not helped by the aforesaid iambic pentameter, which was not designed for foreigners speaking English. He has to utter one of the most insincere-sounding pick-up lines I have ever heard: "If I was your husband I would be so jealous of your beauty I would not leave your side". As we see more of him, a serious side emerges, an educated Muslim who sees a lot wrong with the West and not much with his own society, despite its inability to live in peace. This he blames on the West. However, the dialectic is sidelined by the plot line, which as suggested above, winds up on a Cuban beach.

The novel "Orlando" by Virginia Woolf was a pretty weird property, and Sally Potter produced a weird and wonderful movie from it. Her "Tango Lesson" was semi-autobiographical, well produced and absorbing. This movie is ambitious – "let's see if we can make a romantic comedy about the clash of civilizations and the meaning of life" and although visually fascinating it not surprisingly doesn't quite make it. It has its moments though – Maid Shirley Henderson's disquisitions on the nature of dirt to the camera, Sam Neil's guitar miming to an Eric Clapton number and the restaurant orgasm to name a few. Sally Potter still has the ability to find a different angle on existence.


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