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Title: A Hole in My Heart (2004)
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| Complete credited cast: | |||
| Thorsten Flinck | ... | Rickard | |
 |
Björn Almroth | ... | Eric |
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Sanna Bråding | ... | Tess |
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Goran Marjanovic | ... | Geko |
Eric is a teenager who lives in a shabby flat with his father, Rickard. Eric spends most of his time holed up in his room, blaring industrial music in order to drown out what's going on around him. He has just cause to be a bit disturbed by his surroundings -- Rickard is an amateur filmmaker specializing in extreme sex videos, and he's taken over the living room, where his emotionally disturbed friend Geko and a blank young woman, Tess are "starring" in his latest project. As shooting progresses over the course of several days, Rickard and his cast lose track of the outside world and become increasingly desensitized to their own decadence. As the sexual play becomes more and more extreme, edging into violence, Eric feels no choice but to intervene.
Having loved 'Together' and admired, for the most part, 'Lilya 4-Ever' (as well as his short films), I was dreadfully disappointed with this new work from Moodyson. In an interview about 'A Hole On My Heart' Moodyson stated that he thought it was his best and most complex film, before saying that he didn't know what the film was supposed to be about, not offering any explanation other than 'it has many layers'. Such statements reveal entirely the reason behind the film's failure. Depsite Moodyson's assertion of complexity, there is simply nothing in this 90+ minute film that could not have been adequately communicated in a short. Simply juxtaposing unpleasant images of cosmetic surgery and action men figures with home-made pornography does not constitute a complex statement on anything. In fact the film is hopelessly meandering and one has the increasing feeling that it was 'discovered' in the editing room. I'm very interested in non-narrative film-making, and I don't need a 'story' to communicate events to me, but it is evident to me when there is a severe paucity of drive and ideas, and that feeling was evident throughout a viewing of this film. It concerns me that this film will be defended by people who feel that sitting through the unpleasant content constitutes some sort of test of intellectual rigour and that those who didn't like it are not prepared to 'face up' to the reality this film purports to present. In fact the simple truth is that this is an empty film, with a painful lack of understanding of how to dramatise ideas. I really hope Moodyson comes up with something better next time - I think his talents outstrip nonsense like this.