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Casino Royale (2006)

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2:34 | Trailer
After earning 00 status and a licence to kill, Secret Agent James Bond sets out on his first mission as 007. Bond must defeat a private banker funding terrorists in a high stakes game of poker at Casino Royale, Montenegro.

Director:

Martin Campbell

Writers:

Neal Purvis (screenplay), Robert Wade (screenplay) | 2 more credits »
Popularity
136 ( 306)
Won 1 BAFTA Film Award. Another 26 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Craig ... James Bond
Eva Green ... Vesper Lynd
Mads Mikkelsen ... Le Chiffre
Judi Dench ... M
Jeffrey Wright ... Felix Leiter
Giancarlo Giannini ... Rene Mathis
Caterina Murino ... Solange
Simon Abkarian ... Alex Dimitrios
Isaach De Bankolé ... Steven Obanno (as Isaach De Bankole)
Jesper Christensen ... Mr. White
Ivana Milicevic ... Valenka
Tobias Menzies ... Villiers
Claudio Santamaria ... Carlos
Sebastien Foucan ... Mollaka (as Sébastien Foucan)
Malcolm Sinclair ... Dryden
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Storyline

James Bond goes on his first ever mission as a 00. Le Chiffre is a banker to the world's terrorists. He is participating in a poker game at Montenegro, where he must win back his money, in order to stay safe among the terrorist market. The boss of MI6, known simply as M sends Bond, along with Vesper Lynd to attend this game and prevent Le Chiffre from winning. Bond, using help from Felix Leiter, Mathis and having Vesper pose as his partner, enters the most important poker game in his already dangerous career. But if Bond defeats Le Chiffre, will he and Vesper Lynd remain safe? Written by simon

Plot Summary | Plot Synopsis

Taglines:

The new Bond. Living for Love. Dying for Thrills. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violent action, a scene of torture, sexual content and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Facebook | See more »

Country:

UK | Czech Republic | USA | Germany | Bahamas

Language:

Serbian | German | Italian | English | French

Release Date:

17 November 2006 (USA) See more »

Also Known As:

Bond Begins See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$40,833,156, 19 November 2006

Gross USA:

$167,445,960

Cumulative Worldwide Gross:

$609,447,995
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS | DTS

Color:

Black and White (opening sequence)| Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The first Bond film since Licence to Kill (1989) to be based on a story or have story elements written by Ian Fleming. See more »

Goofs

Scenes in Montenegro have many errors. as there are no such buildings as seen, the hills are mostly bare rock, the roads are totally different, there are no such TT plates and or train as seen. See more »

Quotes

Vesper Lynd: You can have me - anywhere.
James Bond: I can?
Vesper Lynd: Yeah. Here. There. Anyway you like.
James Bond: Does this mean that you're... warming to me?
Vesper Lynd: Yeah. That's how I would describe it.
James Bond: It's just that not so long ago, I would have described your feelings towards me as, eh, I'm trying to think of a better word than - loathing.
Vesper Lynd: I'm afraid I'm a complicated woman.
James Bond: There is something to be afraid of.
See more »

Crazy Credits

The opening credits include the words "Ian Fleming's James Bond." All other Bond movies only have this if it's an original screenplay. When they're based on the novels, regardless of how loosely, they're "Ian Fleming's (name of movie/novel)." See more »

Alternate Versions

US version is cut in the toilet fight and the stairwell fight scene to secure a PG-13 rating. In the later, Obanno's henchmen hitting the ground and Obanno crashing into the glass window are the most obvious cuts. However, additional punches, elbows, and shoving are removed and the struggle at the bottom of the stairwell was heavily shortened. The music score has also been remixed to accommodate the edits, and alternate footage used to smooth over some of the edits. This version was also used for the DVD/Blu-ray release. See more »

Connections

Featured in Pinewood: 80 Years of Movie Magic (2015) See more »

Soundtracks

Linstead Market
Traditional
Arranged and Performed by Gary Trotman
Courtesy of Arc Music Productions International Ltd.
See more »

Frequently Asked Questions

See more »

User Reviews

An impressively dark, engaging and exciting entry in the Bond series – just what it needed after Die Another Day
11 December 2006 | by bob the mooSee all my reviews

Having just achieved his 00 status, James Bond is assigned to uncover a plot by tracking a bomber for hire. The mission could not go worse as Bond kills the man in an embassy in front of CCTV cameras. Removed from the mission by M, Bond nevertheless follows the only lead he has to Miami where he finds himself working round the edges of a plot by criminal Le Chiffre to invest his clients money in the stock market just before an engineered event should send shares in a direction favourable for him.

After the poor CGI and overblown (if fun) affair that was Die Another Day, the series was at risk of just throwing more and more money at the screen in an attempt to exaggerate and increase the Bond formula to keep fans happy. And, in fairness it seems financially to be working for them but this is not to say that the drastically scaled back feel of Casino Royale is not a welcome change of direction for the series, because for me it most certainly was. Opening with a gritty, short and violent pre-credit sequence, the film moves through a cool title sequence with a typically Bondian (if only so-so) theme song. The film then immediately marks itself out as a step away from the previous film by launching on a great action sequence that is as overblown as the series requires but yet is all the better for seeming real – no ropy Die Another Day CGI here. Casting free-runner Foucan was a great move and this sequence was the high for me. After this the film develops nicely with a solid plot that engaged me easily enough, with interesting characters along the way.

Of course this isn't to say that the series has suddenly put out an introspective character piece, because the world of Bond is all still here. So we have superhuman stunts, gadgets (albeit a practical self-defibrillator as opposed to a mini-helicopter) and the usual types of characters going the way we expect. Those expecting this self-styled "reboot" to provide a depth and emotion that isn't there will be disappointed but regardless this does the Bond formula well – fans will enjoy it and those that were turned off by Die Another Day will find it a welcome return to darker territory. With all the fanboys tired from bemoaning Craig, it is nice to actually see for ourselves what he can do and mostly he is very good. He convinces as a heartless killer and has the presence that suggests that he could do ruthless damage if he had to. I was a bit put off by how regularly he pouts but generally he brings a gravitas to the character that it benefits from. Green is a pretty good Bond girl and brings much, much more to the role than Berry did in the last film. Mikkelsen is a good foil for Bond and is given more interest by his lack of stature (he is essentially facing his last role of the dice in several ways). Dench is as solid as ever while Wright makes a shrewd move in a small character that offers more of the same for a few years to come.

Overall then this is not the brilliant, flawless film that many have claimed, but I completely understand why it has been greeted with such praise. Sat beside Die Another Day, it is a wonderfully dark and brooding Bond with great action replacing some of the CGI and gadget excesses of recent times. Those upset at his blue eyes are best left fuming on the net, because Craig is a great Bond – capable of being dark with the violence and offering the potential for more if the material comes to meet him. A refreshing film with the bond formula in place but with a dark and comparatively restrained tone that makes it realistic enough to get into while still existing in the spy fantasy world.


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