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Casino Royale (2006)

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2:34 | Trailer
After earning 00 status and a licence to kill, Secret Agent James Bond sets out on his first mission as 007. Bond must defeat a private banker funding terrorists in a high-stakes game of poker at Casino Royale, Montenegro.

Director:

Martin Campbell

Writers:

Neal Purvis (screenplay), Robert Wade (screenplay) | 2 more credits »
Popularity
276 ( 27)
Won 1 BAFTA Film Award. Another 26 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Craig ... James Bond
Eva Green ... Vesper Lynd
Mads Mikkelsen ... Le Chiffre
Judi Dench ... M
Jeffrey Wright ... Felix Leiter
Giancarlo Giannini ... Rene Mathis
Caterina Murino ... Solange
Simon Abkarian ... Alex Dimitrios
Isaach De Bankolé ... Steven Obanno (as Isaach De Bankole)
Jesper Christensen ... Mr. White
Ivana Milicevic ... Valenka
Tobias Menzies ... Villiers
Claudio Santamaria ... Carlos
Sebastien Foucan ... Mollaka (as Sébastien Foucan)
Malcolm Sinclair ... Dryden
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Storyline

James Bond (Daniel Craig) goes on his first mission as a 00. Le Chiffre (Mads Mikkelsen) is a banker to the world's terrorists. He is participating in a poker game at Montenegro, where he must win back his money, in order to stay safe amongst the terrorist market. The boss of MI6, known simply as "M" (Dame Judi Dench) sends Bond, along with Vesper Lynd Eva Green) to attend this game and prevent Le Chiffre from winning. Bond, using help from Felix Leiter (Jeffrey Wright), Rene Mathis (Giancarlo Giannini), and having Vesper pose as his partner, enters the most important poker game in his already dangerous career. But if Bond defeats Le Chiffre, will he and Vesper Lynd remain safe? Written by simon

Plot Summary | Plot Synopsis

Taglines:

James Bond in Montenegro See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violent action, a scene of torture, sexual content and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Facebook | See more »

Country:

UK | Czech Republic | USA | Germany | Bahamas

Language:

Serbian | German | Italian | English | French

Release Date:

17 November 2006 (USA) See more »

Also Known As:

Bond Begins See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$40,833,156, 19 November 2006

Gross USA:

$167,445,960

Cumulative Worldwide Gross:

$616,501,619
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS | DTS

Color:

Black and White (opening sequence)| Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This is only the second time that M's house has been shown in an official EON Productions movie. The first was in On Her Majesty's Secret Service (1969). The unofficial Casino Royale (1967) also showed M's house. See more »

Goofs

Bond has just stormed the embassy and taken the bomb maker as a hostage. As they walk down a hallway, the bomb maker is shot in the leg. The squib that is planted under his trouser leg is outlined. See more »

Quotes

James Bond: [Vesper Lynd presents her business card] Vesper? I do hope you gave your parents hell for that.
See more »

Crazy Credits

The opening credits include the words "Ian Fleming's James Bond." All other Bond movies only have this if it's an original screenplay. When they're based on the novels, regardless of how loosely, they're "Ian Fleming's (name of movie/novel)." See more »

Alternate Versions

The Chinese version is cut for violence (Obanno getting strangled, Bond cleaning up after the stairwell fight, and the torture scene) and sexual content (the foreplay on the boat). Additionally, Judi Dench had to re-dub one line to pass the censors. The line, "Christ, I miss the Cold War" was changed to, "God, I miss the old times". See more »

Connections

Referenced in Cinematic Excrement: Meet the Spartans (2011) See more »

Soundtracks

You Know my Name
Music by David Arnold
Lyrics by Chris Cornell
Performed by Chris Cornell
See more »

Frequently Asked Questions

See more »

User Reviews

 
"Millenium" series James Bond - top-of-the-line!
22 November 2006 | by winner55See all my reviews

In the original Bond series, only a handful of films really attempted to touch base with the novels of Ian Fleming. "Dr. No" showed the Fleming feeling for character and action, but introduced elements to the plot that detracted from the 'hard-boiled' spy story that Fleming thought he was writing; "Thunderball" came close, but that was because Fleming developed the story on commission for the film. "On Her Majesty's Secret Service" had the book's plot pretty down pat, and was made in a kind of 'grand adventure' style, but of course it suffered from the choice of Lazenby - a professional model, not an actor - as Bond. "The Living Daylights" showed the producers' interest in returning to the roots, but Dalton was uncomfortable playing Bond, and uncomfortable with the wisecracks which had become part of the character's schtick - and which were really badly written for the Dalton films. "Goldeneye" was admirable attempt to update the Fleming milieu for the end of the Cold War, but left the character himself as yet without an 'updated' definition.

The decision to make a 21st Century version of Fleming's first Bond novel - and, beyond the update, to remain true to the novel, sans comic patter, sans sci-fi techno-schtick, sans major rewrite of the basic plot - promised to present Bond fans of all ages with a direct challenge. Do we want the hard-boiled spy Fleming first envisioned - patterned after Chandler's Philip Marlowe and W. Somerset Maughm's Ashenden ("or: The British Agent")? Or would we really rather have the suave stand-up comedian and Playboy magazine contributor introduced by Broccoli, Maibaum, Young, and company, in the second Connery film, "From Russia With Love"?

Well, the votes are still being tallied on that.

As someone who came to Bond reading "Goldfinger" at the tender age of twelve (the phrase "round, firm, pointed breasts" has been an inspiration to me since), the closer the films came to the sense of the novels, the happier I was.

So of course, this version of Bond is a joyous surprise for me - my youthful daydreams have been vindicated and at last fully satisfied. There are indeed elements added to the plot, but they are completely congruent with it. There is the use of current technology, but no techno-schtick - i.e., no Q. and no "gadgets". There are the luscious Bond babes (2 - the minimum Bond requirement), but there is no attempt to reduce them to photogenic sex-toys.

Fleming's plot actually requires the film's addition of some heavy action sequences (all done very snappy, with a brutally realistic edge), because the novel is very claustrophobic; the original TV version of the story (1955, with Barry Nelson as 'Jimmy Bond'), only used three indoor sets, because it could - except for the car chase and an attempted bombing at an outdoor café, Fleming's novel took place almost entirely within Bond's hotel suite and the gaming room. The film's opening this novel out to the world is actually quite welcome, and does not affect the central plot or its theme.

The character of Bond presented in this film may disappoint followers of the original films, but the news is, this is FLEMING's Bond - an orphan uncertain of his own identity, a disillusioned romantic trying hard to pretend he's incapable of emotions, a middle class, middle-brow, middle-level management type who just happens to kill people for a living. But he does it extremely well.

The other problem some general viewers may have is the level of violence in the film; having determined to film the novel realistically, director Martin Campbell has decided to ditch the 'B-movie' violence of most of the earlier films, and present us the violence with a hard 'British neo-noir' edge to it. Given the romantic plot twist toward the end, this would be a perfect date movie - except that the violence left some of the female viewers in the theater I attended clearly unsettled. That's not necessarily a bad thing, it just is part of the gestalt of the film's experience.

Cambell's direction is very good; the writing is crisp; production values are very high; the photography is stunning. Some of the stunt work is truly remarkable, worthy competition for Jackie Chan. The acting is rock-solid and believable for these characters. There is plenty of muscle for the action-film fan, and some real brains for the more general viewer to ponder later.

This film is best viewed with minimal reliance on knowledge of the previous series. In fact, it functions perfectly well as a 'one-off', a film without a series.

But of course, the ending invites a sequel. In Godzilla terms, Connery and Moore having given us the 'showa' Bond, Dalton and Brosnan the "Heisei" Bond, we now have the "Millenium" series James Bond - not a prequel nor even a 'reboot', but, really, an entirely new series about the same character. It is probably too much to hope for, but maybe they can make the sequels just as good as this.

As a genre film it never quite lifts above its genre; so normally I would only give it "nine stars" as a film.

However, as a film within its genre, it is top-of-the-line - so it gets a ten.


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