A 14-year-old girl in suburban 1970's Pennsylvania is murdered by her neighbor. She tells the story from the place between Heaven and Earth, showing the lives of the people around her and how they have changed all while attempting to get someone to find her lost body.Written by
Peter Jackson tried to secure the rights to the book while working on The Lord of the Rings: The Two Towers (2002), but at that time, the rights were snapped up by a British studio (ITV) with an option to make a film. However, since it was never made, the rights lapsed. During production of King Kong (2005), co-Producer Tessa Ross found out that the rights had become available, and she and Jackson secured them. See more »
When they exit the diner at the end of the movie, we see a steep cliff and large industrial buildings below. There is no cliff here. All the land here is fairly flat with gently rolling hills. Behind the diner is a SEPTA commuter rail line. Past the rail line are the athletic fields of Coatsville High School. The diner, the rail line and the high school campus are all at the same elevation. See more »
I remember being really small; too small to see over the edge of a table. There was a snow globe, and I remember the penguin who lived inside the globe. He was all alone in there, and I worried for him.
See more »
I vaunt myself of being an independent thinker and yet I was taken by the atrocious reviews "The Lovely Bones" got. Rogert Ebert called it "deplorable" I didn't go to see it when it first came out. Shame on me! The risks Peter Jackson took, a thoroughly established filmmaker, should be applauded. True, it's not going to be everybody's cup of tea but then, what is? I was taken by surprise, a film of unbearable emotional suspense breaking every imaginable rule. We're far too used to have stories in which everything is neatly tied up by the end, so we can go back home with a fictitious peace of mind. In "The Lovely Bones" we know who the monster is from the time the monstrosity is committed but we're only spectators unable to do anything about it and that frustration may have turn part of the audience and most of the critics away. True the CGI of the "in between" is, sometimes, too much but the film as a whole is a real experience. Saorise Ronan is marvelous, so are Rachel Weitz and Mark Whalberg. Stanley Tucci was deservedly nominated for an Oscar and Susan Sarandon, another risk taker, plays the emotional constipated grandmother with great courage. Look at the exhaustion on her face as she takes care of the family, drained without betraying the arid nature of the character. As the film ended I stayed in silence for the longest time, embedded in the sadness, clinging to the hope and mystified by the massacre the critics perpetrated in this original and highly recommendable film
181 of 247 people found this review helpful.
Was this review helpful to you?
| Report this