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Set in 1965 New England, a troubled girl encounters mysterious happenings in the woods surrounding an isolated girls school that she was sent to by her estranged parents.


Lucky McKee


David Ross



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A lonely young woman traumatized by a difficult childhood and her increasingly desperate attempts to connect with the people around her is sent into a murderous tailspin.

Director: Lucky McKee
Stars: Angela Bettis, Jeremy Sisto, Anna Faris


Cast overview, first billed only:
Agnes Bruckner ... Heather Fasulo
Emma Campbell ... Alice Fasulo
Bruce Campbell ... Joe Fasulo
Patricia Clarkson ... Ms. Traverse
Lauren Birkell ... Marcy Turner
Jane Gilchrist Jane Gilchrist ... Ms. Cross
Catherine Colvey ... Ms. Leland
Marcia Bennett ... Ms. Mackinaw
Rachel Nichols ... Samantha Wise
Kathleen Mackey ... Ann Whales
Cary Lawrence Cary Lawrence ... Ms. Charevoix
Colleen Williams Colleen Williams ... Ms. Arbor
Gordon Currie ... The Sheriff
Jude Beny ... School Nurse
Melissa Altro ... Barb (as Missy Altro)


In 1965, after provoking a fire in a forest, the rebel teenager Heather Fasulo is sent to the boarding school Falburn Academy in the middle of the woods by her estranged mother Alice Fasulo and her neglected father Joe Fasulo. The dean Ms. Traverse accepts Heather in spite of the bad financial condition of her father. The displaced Heather becomes close friend of he weird Marcy Turner, while they are maltreated by the abusive mate Samantha Wise. During the nights, Heather has nightmares and listens to voices from the woods, and along the days she believes that the school is a coven of witches. When some students, including Marcy, simply vanish, Heather believes she will be the next one. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis


Every high school has its secrets... See more »

Motion Picture Rating (MPAA)

Rated R for horror violence and language, including sexual references | See all certifications »

Parents Guide:

View content advisory »


Official Sites:



USA | UK | Germany



Release Date:

26 September 2006 (USA) See more »

Also Known As:

El bosque maldito See more »


Box Office


$12,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

DTS | Dolby Digital | SDDS



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


The teachers all have names that are Northern Lower Peninsula Michigan towns - Charlevoix, Mackinac, (Glen) Arbor, Traverse. See more »


Samantha trows a glass of milk at Marcy's face. After that, Heather punches Samantha and the girls quickly get in a brutal fist fight. In the next shot that shows Marcy, her face and chest are completely dry and clean, with no traces of milk whatsoever. See more »


[first lines]
Alice Fasulo: [to Heather in the back seat] Feet off the seat.
See more »


Referenced in Unikal'noe pozdravlenie (2014) See more »


In the Quiet of the Night (aka the choir piece)
Composed by Jammes Luckett (as Jay Barnes Luckett)/Poperratic
See more »

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User Reviews

Worthwhile, and actually pretty good
13 July 2006 | by firstalertSee all my reviews

Judging from the enthusiastic response at Sunday night's screening, I suspect that if THE WOODS were given a conventional theatrical release, it would attract a wide audience. The film is structured and presented as a nightmare, and it has the inconsistencies and incongruities that a nightmare has. That is too much for some people to tolerate, but judging from the screening, there are many who get it, and like it. There is much to like. Fans of MAY will be happy to see that Lucky McKee has developed more fully into an actor's director, zeroing in on character and bringing to a scene the proper dramatic balance and tone. They'll also be pleased to see that given a modest budget by today's shock-horror standards, he has exhibited new freedom of movement and imagery. Above all, this is a visually stunning film. with an almost overwhelming sound design that is understandably too much for some people. McKee knows how to create a mood of foreboding, but he chooses to do it through artistry rather than through cheap manipulation. The clichés that he uses are an evocation, not an imitation, of classics like SUSPIRIA. What lights up the screen is an individual voice, a distinctive style that immediately sets McKee apart from his contemporaries. It's not that he does it better (although compared with most Hollywood releases, he really does it better), but that his work is instantly recognizable as unique, clearly identifiable, unlike anything we've seen before. There is a unity of artistic elements, with cinematography, art direction, music, sound and acting that blend seamlessly into a coherent style that is more important to the film than the details of the story. That's a pretty tough accomplishment, and one that may or may not appeal to thrill-seeking moviegoers, but it's earned him enough respect from his peers to be named one of the "Masters of Horror." He belongs in that group because of the way he approaches his work, not because of the number of screams his films generate, or the clarity and logic of his scripts. It's not for everybody, but it does strike a chord with fans who value the way McKee creates and sustains tension, allows his characters to come alive within the story, and moves the camera with breathtaking effect. I'm still not sure what was going on in that school, but I know how it felt to watch it, and I found this movie riveting. McKee is aiming at lyricism, and while we should expect that plot is also served, in this film it is secondary. Nightmare logic isn't covered in Aristotle's Six Elements of Drama. It is McKee's creativity that we experience, and it was gratifying, last Sunday night, to be among so many people who came to enjoy themselves watching the work of this talented film maker.

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