In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
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Famed writer Truman Capote, southern born and bred but now part of the New York City social circle, is growing weary of his current assignment of writing autobiographical type pieces for the New Yorker. After reading a newspaper article about the just occurred November 14, 1959 cold blooded murders of the Clutter family in their rural Kansas home, Truman feels compelled to write about that event as his next article. So he and his personal assistant Nelle Harper Lee, also a southern born New Yorker and an aspiring writer of her own, head to Kansas to research the story first-hand. Truman hopes to use his celebrity status to gain access to whomever he needs, such as to Laura Kinney, a friend of the Clutter daughter she who discovered the bodies, and to Alvin Dewey, the lead police investigator and also a Clutter family friend. If his celebrity doesn't work, Truman will grease the wheels by whatever means necessary. When the police eventually charge suspects, two young men named Dick ...Written by
The director, Bennett Miller, and Philip Seymour Hoffman were both graduates of NYU's Tisch School of the Arts, in the Film program and Acting program, respectively, who collaborated together on projects during those years. See more »
In the opening shots, we see wheat waving in the wind in November in Kansas. There is no wheat fully grown and ready for harvest in Kansas in November. See more »
This moving film lives and breathes on the powerful shoulders of Phillip Seymour Hoffman's stunning performance in the title role. Hoffman captures all of the unique physical characteristics that made Capote such a familiar public figure in his lifetime and invests them with a humanity that is almost unbearably poignant. The film focuses on Capote's research on the book "In Cold Blood" and the personal journey that his relationship and identification with killer Perry Smith became (Capote says at one point that it was like they grew up in the same house, and he went out the front door while Perry went out the back), a compelling and complicated relationship that this uncompromising film presents in moving detail. But what truly makes it a unique work of art is the brilliant work of Hoffman - always an interesting actor - whose performance as Truman Capote should elevate him to the pantheon of film giants.
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