Capote (2005)

In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.

Director:

Bennett Miller

Writers:

Dan Futterman (screenplay), Gerald Clarke (book)

Stars:

Philip Seymour Hoffman, Clifton Collins Jr., Catherine Keener

Won 1 Oscar. Another 59 wins & 87 nominations.

Cast

Cast overview, first billed only:
Allie Mickelson	...	Laura Kinney
Kelci Stephenson	...	Nancy Clutter
Philip Seymour Hoffman	...	Truman Capote
Craig Archibald	...	Christopher
Bronwen Coleman	...	Barbara
Kate Shindle	...	Rose
David Wilson Barnes	...	Grayson
Michael J. Burg	...	Williams (as Michael J. Berg)
Catherine Keener	...	Nelle Harper Lee
Kwesi Ameyaw	...	Porter
Andrew Farago	...	Car Rental Agent
Ken Krotowich	...	Courthouse Guard
Chris Cooper	...	Alvin Dewey
R.D. Reid	...	Roy Church
Rob McLaughlin	...	Harold Nye (as Robert McLaughlin)

Storyline

Famed writer Truman Capote, southern born and bred but now part of the New York City social circle, is growing weary of his current assignment of writing autobiographical type pieces for the New Yorker. After reading a newspaper article about the just occurred November 14, 1959 cold blooded murders of the Clutter family in their rural Kansas home, Truman feels compelled to write about that event as his next article. So he and his personal assistant Nelle Harper Lee, also a southern born New Yorker and an aspiring writer of her own, head to Kansas to research the story first-hand. Truman hopes to use his celebrity status to gain access to whomever he needs, such as to Laura Kinney, a friend of the Clutter daughter she who discovered the bodies, and to Alvin Dewey, the lead police investigator and also a Clutter family friend. If his celebrity doesn't work, Truman will grease the wheels by whatever means necessary. When the police eventually charge suspects, two young men named Dick ...

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Plot Keywords:

gay lead character | kansas | prison | reading | death penalty | 

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Genres:

Biography | Crime | Drama | History

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Motion Picture Rating (MPAA)

Rated R for some violent images and brief strong language

Details

Official Sites:

Sony Classics [United States]

Country:

USA Canada

Language:

English

Release Date:

3 February 2006 (USA)

Also Known As:

Truman Capote

Filming Locations:

Manitoba Legislative Building, Winnipeg, Manitoba, Canada

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend USA:

$324,857, 2 October 2005

Gross USA:

$28,750,530

Cumulative Worldwide Gross:

$49,233,161

Company Credits

Production Co:

United Artists, Sony Pictures Classics, A-Line Pictures

Technical Specs

Runtime:

114 min 110 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

In 1964, while Capote was still writing In Cold Blood, he needed to stay in the good graces of the people involved in the case. Whenever they visited New York, he would ask Lee to help him entertain them. Together, Lee and Capote would take them to Broadway musicals or to fancy dinners.

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Goofs

Capote phones William Shawn to announce that his piece will be book length, and to ask for more money and a photographer. This would have been in 1960, but the IBM Selectric typewriter in Shawn's office was released in July 1961. Also, the model pictured is a Selectric II, introduced in 1973.

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Quotes

[first lines]
Laura Kinney: Hello? Nancy?

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Connections

Referenced in The Rotten Tomatoes Show: Hot Tub Time Machine/Chloe/How to Train Your Dragon (2010)

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Soundtracks

Sugar (That Sugar Baby o' Mine)
(1926)
Music by Maceo Pinkard
Lyrics by Edna Alexander and Sidney D. Mitchell (as Sidney Mitchell)
Performed by Billie Holiday
Courtesy of Columbia Records
By Arrangement with Sony BMG Music Entertainment

User Reviews

Hoffman's Terrific Performance

This is a fine character study of Truman Capote whose professional desires collide with his personal desires, as he researches and writes about the 1959 murders of a Kansas family. The film examines how these conflicting desires arose, and how Capote, the person, handled the ordeal once he realized that these desires were mutually exclusive.

Hoffman mimics Capote's posture, voice, facial expressions, and overall mannerisms quite well. It's a great impersonation. But, towards the film's end when Capote has to say goodbye for the last time, Hoffman's portrayal of Capote's grief and helplessness goes well beyond parody. It's an example of genuine acting ability.

Other performances are also good, especially Chris Cooper as Prosecutor Alvin Dewey, and Catherine Keener as Capote's friend, Nelle Harper Lee. In addition to the fine acting, the story itself is gripping, because it is a true story. It's been told before, most convincingly in 1967's "In Cold Blood", from the POV of the killers. That film was photographed in B&W. "Capote", by contrast, is in color. But the colors are all muted, reassuringly so, in view of the subject matter. The tone of "Capote" is solemn and earnest, almost funereal. The pace is slow and deliberate. Music is restrained.

Viewers with little or no interest in the central character may find the first half of the film slow going. It plods along without a lot of tension or suspense. But as the writer bonds with the convicted killer, tension picks up, and then further builds en route to a profound destiny.

My only critique, beyond a slow beginning, pertains to the minimal attention given to era atmosphere. Given that the story takes place in the late 1950s and early to mid-1960s, I would have preferred more cinematic cues of that time period, especially with regard to music, decor, and cultural themes which are curiously absent, aside from obvious props like cars and telephones.

The Clutter killings were, and still are, unsettling and haunting, even after all these years. "Capote" is a high quality film that describes Truman Capote's research into the case, especially as regards the mindset and motivations of the killers, and further examines the effects that Capote's investigation had on him, both as a writer and as a human being with feelings. Though the story is good, Hoffman's wonderful performance is the real reason to see this film.