Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
Ivan, a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War, discovers a dark family secret, which fundamentally changes his life he now wants to end.
Arsen A. Ostojic
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
In 1930, Mrs. Erlynne, who describes herself as poor and infamous, driven from New York society by jealous wives, sees a news photo of wealthy Lord Windermere and his young wife: she heads for the Amalfi Coast to be among the rich and famous for 'the season' and to snare Mr. Windermere. Gossips twitter as he spends his afternoons with her, his wife blissfully innocent as she blushingly fends off attentions from a young English nobleman, an international playboy who thinks he's in love. Mrs. Erlynne is also pursued by a worldly-wise older English nobleman. Mrs. Windermere's 20th birthday party approaches, where all plays out amid numerous amoral Wildean aphorisms.Written by
The historic airliner used at the end of the film is a De Havilland Dragon Rapide biplane, built in Britain in the 1930s. This one is registration D-ILIT, and is privately owned in Germany. It is fully airworthy (as can be seen in the film) and appears at air displays etc. See more »
In the scene where Meg is painting her nails (after discovering her husband has been writing checks to Mrs. Erlynne), the nail varnish clearly has a gray plastic lid, which wouldn't have been available in this era. See more »
A very engaging film with some memorable performances
I almost didn't bother to see this, but I'm pleased that I did.
As noted by other comment writers, the strength of this film is the two fine performances of Helen Hunt and Tom Wilkinson, especially Wilkinson in the role of Tuppy.
The film suffers the usual foibles of a stage adaptation, with some scenes seeming very contrived, as the characters linger at bars and exchange witticisms. On the other hand the writer and director have made a serious effort to address this problem and succeed in parts, (Lady Windermere and Lord Darlington's stroll through the fish sellers is a memorable example).
I am not familiar with the original play and especially towards the end was quite swept along by the narrative tension, which again was a very pleasant surprise.
So in conclusion, a clever little story, some fine performances and a stack of Wilde's incisive aphorisms on the vagaries of the human condition. What's not too like? It deserves to be widely seen, so get out and see it before it's too late!
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