Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
Ivan, a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War, discovers a dark family secret, which fundamentally changes his life he now wants to end.
Arsen A. Ostojic
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
John Halder, a German literature professor in the 1930s, is initially reluctant to accept the ideas of the Nazi Party. He is pulled in different emotional directions by his wife, mother, mistress and Jewish friend.
In 1930, Mrs. Erlynne, who describes herself as poor and infamous, driven from New York society by jealous wives, sees a news photo of wealthy Lord Windermere and his young wife: she heads for the Amalfi Coast to be among the rich and famous for 'the season' and to snare Mr. Windermere. Gossips twitter as he spends his afternoons with her, his wife blissfully innocent as she blushingly fends off attentions from a young English nobleman, an international playboy who thinks he's in love. Mrs. Erlynne is also pursued by a worldly-wise older English nobleman. Mrs. Windermere's 20th birthday party approaches, where all plays out amid numerous amoral Wildean aphorisms.Written by
"A Good Woman" is a theatrical version of Oscar Wilde's 1892 four-act comedy, "Lady Windermere's Fan." See more »
The aircraft in the last scene was a De Havilland Dragon Rapide DH-89A, noted by its nose landing light and the wind powered generator on the right wing leading edge. These aircraft were built sometime after April 1934. When Mrs. Erlynne handed back the check, the date written was September 1930. See more »
Every saint has past, every sinner has a future.
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I thought this was one of the best adaptations of a play to cinema. The way you are lured to believe throughout the first half of the picture the great deception on which Wilde first built his plot,which is the role of a woman of ill-repute portrayed by Helen Hunt, and her connection with Mr. Windermere, I find it to be a stroke of genius of both the original writer as well as the script's writer and the director. I suppose this is a great tribute Barker is making to Wilde himself, and to the theater that gave Wilde his fame and reputation. It all seems to me like a theatrical movie with great photography and music, but a play never the less. The actor's lines are of the highest quality a viewer can ever hope to listen, and the humor is so fluent you can glide trough the whole picture on a single laugh, apart from the more philosophical contents near the end, where you are struck by the conversion of that «evil» woman into a really good one. Truly great!!
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