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Kill Bill: Vol. 2 (2004)

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The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd and the treacherous, one-eyed Elle.

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, (character The Bride) (as Q) | 1 more credit »
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Nominated for 2 Golden Globes. Another 22 wins & 81 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Vernita Green
... Nikki (as Ambrosia Kelly)
... Earl McGraw / Esteban Vihaio
... Edgar McGraw
... Trucker
... Buck
Kenji Ohba ... Bald Guy (as Kenji Oba)
Yoshiyuki Morishita ... Tokyo Businessman (as Yoshijuki Morishita)
... Boss Tanaka
Goro Daimon ... Boss Honda
... Boss Koji / Crazy 88
... Boss Ozawah
Shun Sugata ... Boss Benta
Sachiko Fujii ... The 5, 6, 7, 8's (as The 5 6 7 8's)
Ronnie Yoshiko Fujiyama ... The 5, 6, 7, 8's (as The 5 6 7 8's)
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Storyline

The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill's younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill, the Bride's former master and the man who ordered her execution! Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Kill Bill Now See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site |  »

Country:

Language:

| | |

Release Date:

16 April 2004 (USA)  »

Also Known As:

Kill Bill  »

Filming Locations:

 »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$25,104,949, 18 April 2004, Wide Release

Gross USA:

$66,208,183, 28 May 2012

Cumulative Worldwide Gross:

$152,159,461, 28 May 2012
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

The film's entire first reel is presented in black and white. See more »

Goofs

When the Bride is being buried alive, several times a faint reflection can be seen from the head of her flashlight, despite being six feet underground. See more »

Quotes

[first lines]
Bill: Do you find me sadistic? You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. At this moment, this is me at my most masochistic.
The Bride: Bill, it's your bab...
[BLAM!]
See more »

Crazy Credits

The first part of the end credits is presented in mid-20th century format with dotted lines and curly braces for credit groups. See more »

Connections

Referenced in Grounded for Life: Pictures of Willy (2004) See more »

Soundtracks

Ironside
Written by Quincy Jones
Performed by Quincy Jones
Courtesy of A&M Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

It transcends its genre and becomes Tarantino's most thoughtful and sophisticated work
15 April 2004 | by See all my reviews

In my brief, initial review of 'Kill Bill Vol. 1.' I made the regrettable mistake of dismissing it as exceedingly pleasing yet unsubstantial stylistic masturbation, lacking the profundity and characterizations of Tarantino's previous works. Rarely have I been happier to be proven wrong.

What once seemed like somewhat incoherent cinematic recklessness has, after viewing the second part of Mr. Tarantino's saga, revealed itself to be wild, imaginative and brilliant filmmaking. As a whole, 'Kill Bill' is utterly unified (not despite but because of the radical shift in tone), possesses a strong, dramatic ark, and, above all, stands as quite possibly the most passionate, loving tribute to cinema I have ever seen. While part one pays homage to Brian De Palma, Dario Argento and the Shaw Brothers, part two cites, among many others, Jean-Luc Godard, Sergio Leone, and Robert Siodmark.

But that's far from all.

In his critical essay 'The Cinema of the Cool', Kevin Murphy suggests that Tarantino must move on and grow up to fully realize his potential as a filmmaker. In my opinion, with this piece, he has done so. Those merely seeking the blood-splattered, broken-bone action of Vol. 1 will be severely disappointed by Vol. 2, which is infinitely more thoughtful, pondering the nature of violence, both in cause and effect. While the action in the first installment was great, comic book fun, here it becomes severely unpleasant, cringe inducing, and never without consequence. If anything, it reminded me of the great Akira Kurosawa's work. Remarkable.


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