Kill Bill: Vol. 2

It's a hefty price to pay, preparing for your wedding day, as your jilted lover Bill, arrives in time to maim and kill, left unconscious, comatose, muscles wasting, decompose, four years later you awaken, and you feel a little shaken, so you start to wiggle toes, then start looking for your foes, there are several scores to settle, you know how to use sharp metal.

The Bride continues to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.

The sentimental showdown

Kill Bill Vol. 2 deserves to be another film than Kill Bill Vol. 1, not only the fact that the film would then run 4 hours + if it had been shown in one piece, but more because showing both films in one run might come across somewhat odd. The reason I'm saying this, is because Kill Bill Vol. 2 is very different in tone and feeling than was Vol. 1. The first part was more anger driven and brutal, whereas Kill Bill Vol. 2 is more about love and disappointment. Where the first part is bloody and ruthless, the second one is tender and sore. This does not mean that there is no brutality in this film, but rather that the tone of the film is totally different.

I must admit that it took me some getting used to in the first 20 or so minutes of the film, because I'd expected the film to go on as brutally and furious as the first one finished. It didn't happen. What I got instead was a more story and character driven film, that was filled with emotion, explanations and some good and original fighting scenes.

I have no negative comments on this film I guess. I think the acting was good to very good, with the extra kudos going to Daryl Hannah, who'd let some people to believe that she as just a tall blond who couldn't act in the last couple of years. With this film she manages to show us though, that she just has not been given the right offers. This I must say seems to be some kind of quality of Tarantino, to get ‘discarded' actors and actresses and give them an opportunity to shine once again. Speaking of Tarantino, although I do realize that with Kill Bill he was an 'hommage' to many of his influences, I just have to say that he is a great director and screenwriter. I mean, the way he directs, the music he chooses to accompany the scenes and the dialog. It's just all top notch. This does not mean that this is the best film I've ever seen, but that it is a good film, which fulfilled it's promises. I mean let us ALL be honest. Who can pull off filming a revenge movie lasting more than 4 hours without it getting dull and boring? NOBODY but Tarantino. Hell, most people can't make complete a good 90 minute flick with this amount of story.

7,5 out of 10

Over the last 40 years, I've seen a lot of movies. All types. Some great, some good and some mostly inedible; most left my breath with a sour smell. Westerns, sci-fi, comedies, dramas, etc. After seeing Kill Bill Vol I, I assumed that any sequel would pale to its predecessor. I, of course, was premature in my prediction. The movie was, by all means, a classic. I feel Taratino was really trying to make a great movie versus making money for his producers. To build his tasty sandwich, he took the lessons he learned from life as a movie maker and cleverly managed to meld some slices of meat from Sergio Leone (subtly), Akira Kurosawa (very subtly) and, I'm stretching it here, Ridley Scott, to create a great sequel to an excellent first movie. He used some great, almost forgotten actors (Daryl Hannah, Micheal Parks, and David Carradine to create a memorable meal. It was only a sandwich, but what morsel it was. I was full and wanting more. Very rare to find this type of film in our corporate world. He must wield some real power in the movie world. I don't know of anyone who has saw this movie who hasn't given it great feedback. And I know all types of viewers. My wife, who really doesn't like anything that is not overly melancholy or dripping with sentimentality, actually liked the whole movie. That in itself is an endorsement. Well done. Mr. Tarantino, you will be hard placed to match this gem.

Rarely known a movie I've been looking forward to so much than Q.T's resumption of the Kill Bill saga. I, as well as millions of others film-freaks, awaited Uma Thurman's further adventures with wicked anticipation. And of course…Tarantino didn't disappoint. Volume two is a completely different movie than volume one, but it's equally brilliant and the director's trademarks are shown more than obviously. Volume one merely was homage to the Eastern Martial Arts movies, with delightfully over-the-top splatter and gore while Vol. 2 fully focuses on ancient westerns and rural horror. There's more dialogue, more twists ‘n turns and the anti-chronological structure results in more depth and involvement. Some unexplained elements from Vol.1 become clear now and even the entire background of Thurman's character gets unveiled. For the very first time, (as far as I can remember) Tarantino really knows how to create an unbearable tension! There's a sequence in which Uma is buried alive and trapped under the ground…Through simple methods, like a completely black screen, Tarantino arises claustrophobia among the audience! Truly terrific filmmaking.

The actors in Kill Bill aren't Hollywood's best, but they each have their charisma and their typical Tarantino characters do the rest. The camera viewpoints are brilliant at times and – as usual – the tiny absurd elements are a joy to discover. Tarantino's entire Kill Bill achievement may easily be considered as one of the most creative and dared film-projects ever! Do yourself a favor and watch them! …Over and over again.

In my brief, initial review of 'Kill Bill Vol. 1.' I made the regrettable mistake of dismissing it as exceedingly pleasing yet unsubstantial stylistic masturbation, lacking the profundity and characterizations of Tarantino's previous works. Rarely have I been happier to be proven wrong.

What once seemed like somewhat incoherent cinematic recklessness has, after viewing the second part of Mr. Tarantino's saga, revealed itself to be wild, imaginative and brilliant filmmaking. As a whole, 'Kill Bill' is utterly unified (not despite but because of the radical shift in tone), possesses a strong, dramatic ark, and, above all, stands as quite possibly the most passionate, loving tribute to cinema I have ever seen. While part one pays homage to Brian De Palma, Dario Argento and the Shaw Brothers, part two cites, among many others, Jean-Luc Godard, Sergio Leone, and Robert Siodmark.

But that's far from all.

In his critical essay 'The Cinema of the Cool', Kevin Murphy suggests that Tarantino must move on and grow up to fully realize his potential as a filmmaker. In my opinion, with this piece, he has done so. Those merely seeking the blood-splattered, broken-bone action of Vol. 1 will be severely disappointed by Vol. 2, which is infinitely more thoughtful, pondering the nature of violence, both in cause and effect. While the action in the first installment was great, comic book fun, here it becomes severely unpleasant, cringe inducing, and never without consequence. If anything, it reminded me of the great Akira Kurosawa's work. Remarkable.