Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) ...
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A six year old girl seems to predict (or cause?) a series of deaths whilst praying. Is it just coincidence - or is something more sinister at work? And as the body count rises how will one ... See full summary »
Tony Broadbent Artist,
The pilot for a proposed series based on the 1977 motion picture "The Goodbye Girl." The story, set in New York City, focuses on the relationship between Paula McFadden, a beautiful single ... See full summary »
Based on the true story of mother/son tag-team Sante Kimes and her offspring, Kenny, who crisscrossed the country and committed a string of crimes, among them robbery, fraud, arson, slavery, and murders that shocked the world.
A brother and sister broadcast a public access talk show from the basement of their local library in order to live out their fantasies and escape the legacy of their dearly departed mother, a B-movie actress.
The Goodbye Girl is a surreal tale about a lonely young reaper (Jodelle Ferland) who escorts people across the threshold between life and death while collecting their final memories in a small pink suitcase.
Willis Embry, who is a psychologist in a jail, was left by his girl-friend. He has no time to be sad about it because an old man, who is very ill, tells him something about a robbery and ... See full summary »
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he's determined to snatch romance from ingratitude.Written by
This "updated" remake involved little rewriting of the original 1977 film (The Goodbye Girl (1977)). The screenplay is word-for-word and scene-for-scene from the original script with the exception of a few curse words removed to make it appropriate for television and a line that referred to Richard Dreyfuss's height in the original that wouldn't make sense when said by Jeff Daniels. See more »
Why did they remake this picture? It was a pleasant enough TV movie if there was not a really excellent original to which it pales in comparison.
Jeff Daniels, usually a favorite of mine, is not cut out for this type of comedy. He is neither funny or sympathetic as Elliot. Patricia Heaton is OK, but there is virtually no chemistry between her and Daniels. The daughter is too cute and wise.
Oddly, a high point in this picture is a cameo by director Richard Benjamin. This production makes one want to go back into the archives and retrieve the Dreyfuss/Mason version to REALLY see the show.
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