6.6/10
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Don't Come Knocking (2005)

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1:48 | Trailer
An aging cowboy movie star deserts a film set and tries to reconnect with his mother, whom he hasn't seen in thirty years, only to learn that he has a child he never knew about.

Director:

Wim Wenders

Writers:

Sam Shepard (screenplay), Sam Shepard (story) | 1 more credit »
1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Roday ... 1st AD
Jeffrey Vincent Parise ... 2nd AD (as Jeff Parise)
Majandra Delfino ... 1st Girl
Marieh Delfino ... 2nd Girl
Sam Shepard ... Howard Spence
George Kennedy ... Director
Julia Sweeney ... Producer 2
Tim Matheson ... Producer 1
James Gammon ... Old Ranch Hand
Tim Roth ... Sutter
Robin Twogood Robin Twogood ... Patrolman
Gabriel Mann ... Earl
Fairuza Balk ... Amber
Mike Butters ... Businessman
Sarah Polley ... Sky
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Storyline

Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs, and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there. The very idea seems like a ray of hope that his life wasn't all in vain. So he sets out to find that young man or woman. He discovers an entire life that he has missed. Written by Reverse Angle

Plot Summary | Add Synopsis

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for language and brief nudity | See all certifications »
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Details

Official Sites:

Océan Films [France] | Official site | See more »

Country:

UK | France | Germany | USA

Language:

English

Release Date:

25 August 2005 (Germany) See more »

Also Known As:

Estrela Solitária See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$30,630, 19 March 2006

Gross USA:

$440,793

Cumulative Worldwide Gross:

$4,663,501
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

At one point, Howard's mother asks if Howard (Sam Shepard) is trying to run away like Jesse James (also evidenced by a poster, Howard played Jesse in a movie within the movie). Shepard played Jesse's brother in The Assassination of Jesse James by the Coward Robert Ford (2007). See more »

Goofs

When Sky is first seen driving her truck, the gear shift is clearly in "Park". See more »

Quotes

Howard Spence: Mind if I turn the radio on?
Sutter: Yes, I do, as a matter of fact. I don't like outside influence.
Howard Spence: Outside?
Sutter: That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed?
Howard Spence: I was thinking...
Sutter: What?
Howard Spence: I don't know.
Sutter: Nothing's changed.
Howard Spence: Guess not.
See more »

Alternate Versions

Theatrical version was 113 minutes, and the director's cut (on DVD) is 122 minutes. See more »


Soundtracks

Don't Come Knocking
Music & Lyrics by Bono and The Edge
Sung by Andrea Corr & Bono
Published by Universal Music Publishing B.V. except Blue Mountain Music Ltd (UK), Mother Music (Irl.)
Produced by T Bone Burnett
Additional Production by The Edge & Jacknife Lee
Tenor Saxophone: Joe Sublett
Trumpet, Trombonium: Darrell Leonard
Keyboards (strings, harmonium): Patrick Warren
Piano: Keefus Ciancia
Drums: Jim Keltner, Carla Azar, Jay Bellerose
Pedal Steel Guitar: Eric Haywood
Bass: Mike Elizondo
T Bone engineering: Mike Piersante
Vocal recordings engineered by Robbie Adams.
Bono appears courtesy of Universal International Music BV - the Island Records Group
Andrea Corr appears courtesy of Atlantic Records UK
See more »

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User Reviews

 
A slow, beautiful, meandering, improbable, poorly written, beautifully filmed film...
12 August 2010 | by secondtakeSee all my reviews

Don't Come Knocking (2005)

A disappointing attempt at gritty Western aura, movie insider savvy, and creative parallel plotting and editing. It has elements of camp, of post-modern drama (references to earlier movies or movie types), and even some genuine sincerity.

There is a terrific George Kennedy, who is still active and very much making movies with his over-sized persona. There are smaller roles by several women, including a wan and frankly dull if pretty Sarah Polley. And mostly there is Sam Shepard being Sam Shepard, which is pretty good stuff. But he plays a famous actor who walks off a cheesy movie shoot into reality, and for the rest of the movie is walking as if in a dream through a reality he never quite knew existed.

I think this looked great on paper. At least until someone read the script. It just doesn't hold water, partly for the simple fact that we couldn't care less about most of these folk. In particular, the movie makers, the directors and execs are playing meaningless roles that might mean something to insiders, but to the rest of us (I'm not an insider, thankfully), it's self-indulgent and, well, boring.

What works best? Well, since the story pushes you out you look at the performances straight up, and some, like Shepard's, are strong (he reminds me of Woody Harrelson in this film, for some reason). There's the music (by T-Bone Burnett), an often used electric guitar sound with a country twang that is appealing and sometimes even evocative. And there is the filming, which is unadorned and very nice, depending on some amazing scenes, and the light and color in them. If there is ever an Oscar for scouting, for period sets that hype up the truth of a certain period, this is a good candidate. Certainly the light is romantically appealing.

But I'm stretching to see the best in a plodding film that had potential and lost its velocity very early on.

It has to be added that the director, Wim Wenders, has done some amazing work, and has his own following. But he might be trying to cash in on "Paris, Texas" which has its own small cult following, and which at least has a quirky and disturbing element to it. Here it is mostly a matter of wandering in the modern wilderness, and Wenders, I really believe, is not quite in touch with what makes America America. It feels cold and superficial. See his "Wings of Desire" for a masterpiece. Here? Have patience. Oh...and enjoy the scenery!


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