After the wild life-style of a famous young German photographer almost gets him killed, he goes to Palermo, Sicily to take a break. Can the beautiful city and a beautiful local woman help him calm himself down?
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
A beautiful summer day. A garden. A terrace. A woman and a man sit at a table beneath the trees, with a soft summer wind. In the distance, in the vast plain, the silhouette of Paris. A ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film... See full summary »
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two ... See full summary »
Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs, and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there. The very idea seems like a ray of hope that his life wasn't all in vain. So he sets out to find that young man or woman. He discovers an entire life that he has missed.Written by
When Spence and Sutter make a nighttime fuel stop hours after they've supposedly left Butte in broad daylight, signs indicate this scene actually was shot in Butte. See more »
Mind if I turn the radio on?
Yes, I do, as a matter of fact. I don't like outside influence.
That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed?
I was thinking...
I don't know.
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Theatrical version was 113 minutes, and the director's cut (on DVD) is 122 minutes. See more »
I really wanted to like Don't Come Knocking. It's a contemporary Western by famed German director Wim Wenders, written by Pulitzer-Prize winner (and stud actor) Sam Sheppard, and including in the cast Sam's main squeeze (and my first crush) Jessica Lange. With these credentials, I would have bet that Don't Come Knocking would have been in my Top 5 at Sundance this year.
Not even close.
Here's my #1 criterion for judging a movie: Did I care about the characters? Love 'em or hate 'em, either one is OK, they just have to mean enough to me to care about what happens to them. And unfortunately, I didn't care two hoots about Howard Spence (Sheppard), the washed-up Western actor who tries to escape his past of hard living and general selfishness. I didn't even care about Doreen (Lange), a former girlfriend from a movie shot in Butte, Montana. And I certainly didn't care about Earl (Gabriel Mann), Doreen's son, no matter how over-the-top obnoxious his behavior. Maybe I did care for Sky, the Butte native played by the remarkable Sarah Polley, who was clearly the most likable and the only truly compelling character in the movie. And Tim Roth's portrayal of the studio bond man was interesting at least.
But beyond character development, this movie just didn't have any direction, suffering from the thinnest of story lines and a pace that often needed a quick kick from Howard Spence's spurs. It does feature some interesting locations and beautiful southern Utah landscapes. But that's not why we go to movies.
Wenders and Sheppard go back to their collaboration on Paris, Texas in 1984, and they spoke very fondly of each other during the Q&A. They collaborated on the story over a period of years and have looked for a chance to work together again. I wish they would have produced something better.
Interesting Tidbit from the Q&A: Sheppard's son Jesse is an expert horseman and did his father's riding stunts for the movie. Sam Sheppard also rides well, but his contract limited his riding to a trot.
Second Interesting Tidbit: Wenders has wanted to shoot a film in Butte for twenty years, since his first visit there, and was concerned that someone else would film there before him.
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