The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out...
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A lawyer in his 30s named Danny still dreams about becoming a cowboy when his fiancée leaves him on the eve of their wedding ceremony. Fortunately, for him, not one, but two contrasting ... See full summary »
Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?
Maria de Medeiros,
The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out to explore the difficulties for young people in keeping their identities in a fast moving culture of drugs and clubs.Written by
Writer/director David Gleeson had worked in the Department of Agriculture office where the scenes in the movie were filmed. Some of the extras are the people with whom he used to work. See more »
When they are behind bars, Vincent told Shane that he can't believe that he was caught by the police because of a joint smoking. He said that it was his first time to smoke a joint and that he even don't smoke, where in their first meet up with Shane while telling the story of his trip to France in 1997 he was smoking and you can see that he was kind a pro with it. See more »
If I'd a pound for every pint I pissed into the Shannon I'd have retired years ago.
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Now here's the right way to do a drama/comedy involving Ireland's drug scene. (Makers of Headrush, take note!) Shane is so young and fresh-faced that we instinctively want to take him on our lap and give him a big hug--even though he's 20. His mother gives him a religious medallion and frets as he moves into a flat in the middle of Limerick. And she's right to. Shane is a lost soul looking for something and/or someone to belong to. His flatmate Vincent, on the other hand, is très cool and seems to have everything under control. We think we know where things are heading, but not everything happens quite exactly the way we expect. Being a movie, things move in a clear arc and do end very tidily, but still this film gets at some real truths about what life is like for young Irish men these days. What seems strange for an Irish movie is its sense of optimism and its celebration of people finding themselves. Shane is played by Michael Legge, whose previous experience playing a Limerick character was as one of three actors to play the young Frank McCourt in Angela's Ashes. Here he makes a very convincing transformation from insecure youth to newly found self-confidence. Allen Leech is likewise convincing as Vincent, who does a queer-eye-for-the-straight-guy number on Shane. Also on hand are David Murray, playing a more menacing version of his character in Flick, and Frank Kelly, managing to erase his "Father Jack" image as Shane's co-worker who symbolizes the dead end of a safe path through life.
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