The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out...
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A lawyer in his 30s named Danny still dreams about becoming a cowboy when his fiancée leaves him on the eve of their wedding ceremony. Fortunately, for him, not one, but two contrasting ... See full summary »
Jeff is taking care of everything Mark left behind when he died in an accident. Mark was about to have a visitor, Andrea, an Italian guy he met online. Jeff and Andrea have the chance to share memories of the Mark they knew while getting to know each other.
The hockey career of former Toronto Maple Leaf Eric McNally, who was known as a tough enforcer, came to an end with a shoulder injury. He is now a sportscaster. Except to his assistant Nula... See full summary »
The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out to explore the difficulties for young people in keeping their identities in a fast moving culture of drugs and clubs.Written by
Writer/director David Gleeson had worked in the Department of Agriculture office where the scenes in the movie were filmed. Some of the extras are the people with whom he used to work. See more »
When they are behind bars, Vincent told Shane that he can't believe that he was caught by the police because of a joint smoking. He said that it was his first time to smoke a joint and that he even don't smoke, where in their first meet up with Shane while telling the story of his trip to France in 1997 he was smoking and you can see that he was kind a pro with it. See more »
It's a low-budget film with little in the way of a storyline and includes some diversions that have little bearing on the overall product. All of this would lead you to dismiss it as a lightweight offering. However, one of the main functions of a movie is to capture a sense of time and place and, in this context, Cowboys & Angels succeeds brilliantly. Even though it was made just two years ago, it has already found a unique position in time that viewers can relate to. It is set in my hometown of Limerick at the turn of the millennium as Ireland was moving from being the poorest country in western Europe to one of the wealthiest. Much of this happened to the bemusement of a population which had grown up on unemployment and emigration and now suddenly found itself surrounded by opportunities it had only dreamed of up to then. And along the way, a certain innocence was lost as a bulging generation of baby-boomers (Ireland's birthrate peaked thirty years later than its neighbours)worked its way through the buzz and the heartaches of transformation. In some ways, it resembles growing-up classics like American Graffiti and Rebel Without a Cause but set in a very different time and place. The main character, superbly played by Michael Legge, captures that wide-eyed innocence that the country was going through at the time while the photography picks up the youthful vitality of the city. While, on the surface, it may be an unremarkable tale about an unremarkable place, the ambiance is absolutely spot-on. Cowboys & Angels is perhaps the most representative contemporary feature film to come out of Ireland during the past decade.
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