While never-ending rain and a strange disease spread by cockroaches ravage Taiwan, a plumber makes a hole between two apartments and the inhabitants of each form a unique connection, enacted in musical numbers.
Tsai Ming-liang returns with this latest entry in his Walker series, in which his monk acquires an unexpected acolyte in the form of Denis Lavant as he makes his way through the streets of a sun-dappled Marseille.
A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu's 1966 "Dragon Inn." Even with the rain bucketing down outside, it doesn't pull much of an audience -- and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.Written by
Sujit R. Varma
The theater used for the film was actually on the brink of being closed, and shortly before the film was released it was indeed closed, in an strange example of life imitating art. See more »
Teacher Miao. Shih-Chun.
Teacher, you came to see the movie?
I haven't seen a movie in a long time.
No one goes to the movies anymore, and no one remembers us anymore.
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I am compelled to write a review of this movie that doesn't berate it, since most people seem to expect an action-packed and commercially viable film, not the artful and well done piece that it is. Liang's point is quite clear, and whether "nothing happens" or not is left up to the viewer's interpretation I guess. It's a short feature though, and anyone who is seriously interested in film should check this out. "Nobody goes to the movies anymore." With this line, we are told exactly what Liang is saying to us. The film is an ode to going to the movies. If you don't like going to the movies, then you shouldn't watch this film. If you do, then it should fill you up with the fuel that you need to get you through this piece.
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