Taking place in pre-war England, aging sisters Ursula and Janet live peacefully in their cottage on the shore of Cornwall. One morning following a violent storm, the sisters spot from their garden a nearly-drowned man lying on the beach. They nurse him back to health, and discover that he is Polish. Communicating in broken German while they teach him English, they learn his name is Andrea and that he is a particularly gifted violinist. His boat was on its way to America, where he is headed to look for a better life. It doesn't take long for them to become attached to Andrea, and they dote on him. Other townspeople, however, have their suspicions, especially when he befriends a Russian woman, Olga.Written by
Maggie Smith and Judi Dench were performing together in a West End play when they received the scripts. They consulted each other, and decided to do the project. See more »
Coley is frequently mentioned as a cheap local fish. Locals confirm that coley was pretty much unknown in Cornwall in 1936 - far more likely would be ling or pollack. Additionally, "starry-gazey pie", of which the fish was to be an ingredient, is unique to Mousehole, about 30 miles from the supposed location in the film. See more »
[they have finished dinner, still waiting for Andrea to return]
I'm going to phone Pendered.
[Janet goes to the phone]
Trevannic 412, please, Mrs. Pengelley... Hello? Mr. Pendered?... Yeah, it's - it's Janet Widdington... Yeah, well - hello... Yes, we're rather worried about Andrea. We were expecting him for supper. And we...
[her face falls as she listens]
Oh, I - oh, I see... No, no - we didn't know... Yes... Well, thank you.
[she hangs up]
Janet, what's happened?
[...] See more »
Special thanks to the people of Helston, Cornwall and the people of Cadgwith, Cornwall. See more »
A film that enhances all thats good in British cinema
The film, directed by Charles Dance, is the epitome of good, low budget, British cinema. Two major actresses, Judy dench and Maggie Smith underplay their parts very well. Maggie Smith has that special gift of "scene stealing". The locations were superb and true to life as I remember that era well. The casting director gathered a supporting cast who added to the enjoyment of the film. My only complaint was that the editing for the first 30mins of the film lacked sympathy with the plot and, at times, very abrupt. The question of how the boy got into the water is never explained but it didn't matter because the script was more of a story without a beginning and without end. A great film, I loved it!
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