The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
When a "cure" is created, which apparently can turn any mutant into a "normal" human being, there is outrage amongst the mutant community. While some mutants do like the idea of a "cure", including Rogue, many mutants find that there shouldn't be a "cure". Magneto, who still believes a war is coming, recruits a large team of mutants to take down Warren Worthington II and his "cure". Might seem easy for the X-Men to stop, but Magneto has a big advantage, which Wolverine doesn't have. Jean Grey has returned, and joined with Magneto. The Dark Phoenix has woken within her, which has the ability to destroy anything in her way, even if that "anything" is an X-Man.Written by
(At around thirty-two minutes) In Angel's first scene, Dr. Rao opens a case containing the "cure", on which is the code XM89248. Comic book artist Jim Lee's first work was on "Uncanny X-Men" #248 (1989). See more »
(at around 36 mins) When Mystique is hit with "The Cure" and normalizes, her hair is black. in X2: X-Men United, in her normal form, she is a blonde. See more »
I still don't know why *I'm* here. Couldn't you just make them say yes?
Prof. Charles Xavier:
Yes, I could, but it's not my way. And I would expect you, of all people would understand my feelings about the misuse of power.
Ah, "power corrupts" and all that. Yes, I know, Charles. When are you going to stop lecturing me?
Prof. Charles Xavier:
When you start listening. And you're here because I need you.
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When the 20th Century Fox logo fades away, the X in the logo stays for a second longer before it also fades away. See more »
The original DVD release of the film had two different sets of navigation menus, one themed around the Brotherhood, and one themed around the X-Men. The content selectable is the same regardless, but this aesthetic was not reused on the Blu-ray release. See more »
First off, X-Men: The Last Stand was by no means "drivel." In combination with the previous ventures, moviegoers and fans will receive a decent whole. The plot itself is not convoluted, but there are numerous mini-plots for just about every other character in the film. The huge number of plot lines Ratner chose to cast wound up limiting the film, removing key emotional elements. The film just was not long enough to adequately cover everyone's story. The music did not add anything to the movie either, it seemed tacky and amateur. Through length, plot numbers and music, X3 failed to properly and satisfyingly tie up the trilogy.
Problems aside, X-Men did succeed in creating a fabulous action-driven film. Ratner and Fox worked magic on the special effects side of things. I was particularly impressed with the opening scene, which found a 20 year younger Xavier and Eric (Stewart and McKellan) at the house of Jean Grey.
Despite being somewhat of a letdown, the film does bring in some interesting parallelism to the first two films. Speaking of the first films, I recommend viewing them right before or soon after seeing the third, as viewing them reminds you that you do care about the characters (being underdeveloped in X3). Most should find the third entry reasonably enjoyable and miles ahead of poorer entries into the superhero genre (Fantastic Four, League of Extraordinary Gentlemen, Ultraviolet, and the extraordinarily bad Batman Forever and Batman and Robin).
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