Silver City (2004)

The discovery of a corpse threatens to unravel a bumbling local politician's campaign for governor of Colorado.

Director:

John Sayles

Writer:

John Sayles

Stars:

Chris Cooper, Thora Birch, Maria Bello

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Chris Cooper	...	Dickie Pilager
Richard Dreyfuss	...	Chuck Raven
Cajardo Lindsey	...	Lloyd
John C. Ashton	...	Director
Elizabeth Rainer	...	Leslie
Donevon Martinez	...	Lazaro Huerta
James Gammon	...	Sheriff Joe Skaggs
Benjamin Kroger	...	Deputy Davis
Charles Mitchell	...	Henry
Danny Huston	...	Danny O'Brien
Alma Delfina	...	Lupe Montoya
Roslyn Washington	...	Hilary
David Clennon	...	Mort Seymour
Mary Kay Place	...	Grace Seymour
Tim Roth	...	Mitch Paine

Storyline

Set against the backdrop of a mythic "New West," a satire that follows grammatically-challenged, "user-friendly" candidate Dicky Pilager, scapegrace scion of Colorado's venerable Senator Jud Pilager, during his gubernatorial campaign. When Pilager finds that he's reeled in a corpse during the taping of an environmental political ad, his ferocious campaign manager, Chuck Raven, hires former idealistic journalist turned rumpled private detective Danny O'Brien to investigate potential links between the corpse and the Pilager family's enemies. Danny's investigation pulls him deeper and deeper into a complex web of influence and corruption, involving high stakes lobbyists, media conglomerates, environmental plunderers, and undocumented migrant workers.

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Plot Keywords:

pot smoking | campaign | corpse | colorado | private detective | 

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Taglines:

Corruption Run Deeps

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Genres:

Comedy | Drama | Mystery | Thriller

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Motion Picture Rating (MPAA)

Rated R for language

Details

Country:

USA

Language:

English Spanish

Release Date:

24 September 2004 (USA)

Also Known As:

Em Campanha

Filming Locations:

Colorado, USA

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$337,484, 19 September 2004, Limited Release

Gross USA:

$1,017,376, 24 October 2004

Company Credits

Production Co:

Anarchist's Convention Films

Technical Specs

Runtime:

128 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Chris Cooper and David Clennon would later appear in another politically charged movie, Syriana (2005).

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Goofs

When Danny is talking to Maddy (towards the end of the scene at the back of her house), she appears to be wearing a jacket when shot from the front and a vest top when shot from behind.

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Quotes

[first lines]
Ad Spokesman: Richard Pilager cares about Colorado.

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Connections

References All the President's Men (1976)

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Soundtracks

La Llorona
Traditional, Arranged by Billy Novick and Mason Daring
Performed by Billy Novick, Stuart Schulman, Phil Swanson, Dave Mattacks,
Duke Levine, Mike Peipman, and Stu Gunn
Daring Music/Administered by Universal Music Corp.

User Reviews

Even Hesitations

I was disappointed by this. Oh, it is great fun goofing on any politician, the more smarmy and sanctimonious the better. But I can get political goofs by the dump truck load from elsewhere. What I expected was something as gently incisive as, say, "Doonesbury," but with the cinematic skills we know Sayles has. Something as gentle and sharp as "tanner on Tanner."

We have three threads here. The first is the depiction of the system, the handlers and supporters that "make" a president. We all know how it is; many politicians admit it and nearly all journalists report on it. There isn't a shred of newness in this thread, and surely not out of Dreyfuss.

There's a second component having to do with the story that wraps the thing. Now here is where I expected some art. What we end up with a single big corporation as the bad guy, no, beyond that a single corporate man. Then we see how his misdeeds unravel a bit. Sure, we have payoffs, bribery, rampant disregard for the environment and a cover-up.

But see. The thing to make fun of is how some reduce big complex issues to simple narratives. How they take a million threads of a complex tapestry with inscrutable hues and patterns and reduce it to a paper towel with flag patterns. So why do the same thing when satirizing them? Why? It isn't as if there aren't people in the film world incapable of doing this? Or was it just a rush job?

Most people let all that slip because Chris Cooper's version is too delicious. Here's the problem with this: its not disturbing enough. The thing with the target's speech is how he needs to have his mouth work, but his mind cannot produce the coherent thought fast enough, so it looks for stored phrases and tries to evaluate them for appropriateness on the fly. This gives both odd pauses and sometimes goofy leaps in concepts and metaphors.

Listen to Cooper and pay attention to the leaps. Both are fabricated for dramatic effect. The pauses are regular. They're not even, but they have multiples: pause, twice as long three times as long. And they have a rhythm that if you listen makes a sort of sense.

Now look at the linguistic leaps. They have the same patterns, regular semantic distances. That's because we as viewers have to be in on the joke. We know he will jump and precisely how far. We just don't know the direction. See, humor is in the unexpected and in order for it to work, you need to set expectations.

Now, dear reader, listen to the target. He is not creating something as art, he is just living. What you will find is a well-studied artifact of a man whose cognitive centers have been damaged by cocaine saturation. There is no regularity. Pauses are random. The semantic distances are random. That's the whole point. This is what you find in substance abusers. Always. It is not dumbness but drug damage.

Oddly the National Institutes of Health had a great research program on this because all sorts of conditions like Alzheimers can be diagnosed by measuring these speech effects. But once the link was make to cocaine users, the program was terminated. Now that would make a good movie, Huh?

Ted's Evaluation -- 2 of 3: Has some interesting elements.