When a grieving widow (Moeller) discovers that a prehistoric shark – Megalodon – is responsible for the death of a swimmer, he suspects it might also be the same shark that killed his wife and two other divers several years earlier. Convincing newly appointed micro-biologist (Stinshoff) proves relatively easy, but she's oblivious to the grand scheme that has created the giant shark from living DNA recovered from a frozen specimen found in the Antarctic. Of all places to base a cutting edge cancer research facility, no doubt the idyllic Mediterranean tax haven of Mallorca would be the most sensible. At least that's what the makers of this film would have the audience believe.
The over-used CGI shark is typically unrealistic and so out-of-proportion and scale that it scarcely conjures any excitement or thrills. Even the shark swarm in the first scene is disappointing, once again courtesy of the CGI effects that give every attack a video-game quality. This German production's English dubbing is some of the worst (and unintentionally hilarious) you'll come across – the sight of big Ralf running down the beach shouting "Shugalum, shugalum" (that's meant to be "shark alarm, shark alarm" in Bavarian accent) a dozen times will have you in stitches. At least the producers had the foresight to anticipate the drudgery to which this would ultimately amount, and incorporated some quirky humour to lighten up the tone. There's a number of genuine laughs (as opposed to the unintentional ones) throughout, one in particular paying homage to "The Terminator" which works well. The obese BBQ chef and his bevy of scantily clad accoutrements who lends Ralf a luxury car or two is also a comic highlight.
But despite the eclectic editing, sometimes witty dialogue, postcards of Mallorca and stylish stunt-work (some great car maneuvers and helicopter acrobatics), there's little else to recommend this movie, which borrows heavily from several others of the ilk ("Deep Blue Sea" in particular), but achieves much less. Hanselmann's bikini-clad villainy is perhaps the most worthwhile aspect in this whole travesty; that or Ralf's physique, depending on your persuasion. Either way, it's not enough to entertain a second time.
