7.3/10
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918 user 214 critic

Closer (2004)

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The relationships of two couples become complicated and deceitful when the man from one couple meets the woman of the other.

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Writers:

(play), (screenplay)
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Popularity
887 ( 161)
Nominated for 2 Oscars. Another 21 wins & 47 nominations. See more awards »

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Cast

Complete credited cast:
... Anna
... Dan
... Alice
... Larry
... Taxi Driver
... Customs Officer
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Storyline

Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film puts the four leading characters in a box and strips them apart. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Love is an accident... waiting to happen. Desire is a stranger... you think you know. Intimacy is a lie... we tell ourselves. Truth is a game... you play to win. If you believe in love at first sight, you never stop looking. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sequences of graphic sexual dialogue, nudity/sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

3 December 2004 (USA)  »

Also Known As:

Closer: Llevados por el deseo  »

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Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend USA:

$7,707,972, 5 December 2004, Limited Release

Gross USA:

$33,987,757, 13 February 2005

Cumulative Worldwide Gross:

$115,505,027
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Then line "It tastes like you, only sweeter" was used as a lyric in the Fall Out Boy song "Thnks fr th Mmrs" See more »

Goofs

In the photograph exposition, when Larry is talking with Alice, his glass change from his left to his right hand between shots, See more »

Quotes

[first lines]
Alice: Hello, stranger.
See more »


Soundtracks

Di scriverni ogni giorno
from "Così fan tutte"
Performed by Renée Fleming, Anne Sofie von Otter, Frank Lopardo, Olaf Bär,
Michele Pertusi with London Voices and Chamber Orchestra of Europe
Conducted by Georg Solti (as Sir Georg Solti)
Courtesy of Decca Music Group Limited and Universal Classics Group
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Very good
5 December 2004 | by See all my reviews

I've been hearing lots of negativity about this movie. I think a lot of people have been shocked, frankly, by the raw and rough nature of the film. Having read the play, I've been looking forward to it for about a year now, and it's honestly one of the best plays I've ever read. Mike Nichols presents it in an amazing way, very faithful to the words as they're written (and they should be, for the movie is also written by the man who wrote the play, the brilliant Patrick Marber).

It's a brutal topic, sex and love, especially when they're combined. I thought the movie was amazing. It captured all of the vulnerability, caustic harshness, and acerbic flirtation that the play vibrated with. All of the cast brought the movie alive. It uplifts and then brings you way down, but that's the point, and yet at the end, I didn't feel depressed or saddened, just really really awake and curious. It's the feeling you get when you get "closer", I suppose.

Natalie Portman, in a tour-de-force performance, is the standout by far. Maybe it's because she's the youngest, and not expected to be that awesome, but she is. Anyways, her Alice is flirty and sweet, caustic and manipulative, evasive and yet very open, sexual and gloomy all in one character. She has the best chemistry with the men - whether it be purely sensual with Clive Owen, or innocence and affection with Jude Law. She comes alive with the two guys, and their scenes are ones to look forward to.

Julia Roberts, whom everyone looks towards, is not bad in this film. She's very understated and good, but she is outshone in nearly every scene by whomever she's acting with.

Clive Owen is absolutely astounding, and he's definitely on everyone's radar screen. As the man of experience and "simplicity", as Jude Law's character comments, he's brash and hotheaded, but also extremely clever. Owen perfectly plays the sleazy, unlikeable character, but somehow manages to appeal to the audience and even though he's a disagreeable character, I think many managed to find something all right about him - Owen's human sense in Larry.

Jude Law is simply very very good; neither astounding nor bad. The only reason he does not stand out is the fact that we've all expected him to do a good performance. And he does, he has a great performance. He and Portman have amazing scenes together, and he's always on par.

Simply put, the movie is not for everyone (especially not for seeing with a parent or young child); it's a mature adult flick, and does not back down from anything. It's high drama - with all the uplifting romance and brutal arguments of relationships. It's a story about people.


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