Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film puts the four leading characters in a box and strips them apart.Written by
The original Broadway production of "Closer" by Patrick Marber opened at the Music Box Theater in New York on March 15, 1999. Cast was: Anna Friel as Alice, Rupert Graves as Dan, Ciarán Hinds as Larry, and Natasha Richardson as Anna. This ran for 172 performances and was nominated for the 1999 Tony Award for the Best Play. Marber also wrote the screenplay for this filmed production. See more »
In the opening scene when Alice is walking down the street, the front of her hair is dyed a very bright red but in the next scene when she in the hospital waiting room with Dan, there are only a few streaks. See more »
The Blower's Daughter
Written and Performed by Damien Rice
Under license to Vector Recordings, LLC/Warner Bros. Records Inc. and 14th Floor Records
By Arrangement with Warner Strategic Marketing US and Warner Strategic Marketing UK See more »
I've seen Closer described as a cinematic triumph, but it's precisely not. The film wears its theatrical origins on its sleeve, and the presence of the camera is mostly irrelevant.
It also fails in a more subtle way. Initially, I watched four apparently amoral people, devoid of depth or shame, being clever at each other in increasingly hurtful and exploitative ways, and my mind rebelled. This can't be right, I thought, people don't talk like this. Hell, people don't *act* like this.
Then the light dawned. The characters seemed inhuman because they are. They aren't people at all, they're philosophical positions. When they talk, they're not talking. They're saying the things that people only dare think, asking the questions that haunt anyone whose relationship has gone horrifically pear-shaped. This isn't the story of four people and four relationships, it's an attempt to compress everything the author believes about human relationships into a film and bend it into a story. It feels artificial because it is.
With that realisation, I actually began to enjoy it, because Closer is a very clever film. I wish I could disagree with more of it, because many of the things it has to say about human relationships are painfully true. Every mistake you've ever made in a relationship is in here, and it's guaranteed to make you squirm at least once. It's also blackly funny in many places.
Without exception, the performances are fantastic, with the honours going to Natalie Portman's emotionally scarred escapist who wears lies like they were armour, and Clive Owen's brutal, perceptive, and ultimately absolutely human dirty doctor.
Be warned! The marketing campaign may lead you to think it's a comforting rom-com, but it's not. I wouldn't advise going with your partner unless you're rock-solid. You may leave asking some uncomfortable questions, and wondering how well you really know them...
21 of 27 people found this review helpful.
Was this review helpful to you?
| Report this