In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film puts the four leading characters in a box and strips them apart.Written by
Damien Rice, who sings the song "Blower's Daughter" on the film's soundtrack, recorded a song for the movie called "Elephant" - but the song wasn't finished in time for the movie's release. Another Rice song "Cold Water" can be heard in the film when Alice and Dan are walking around London after leaving the hospital. See more »
When Anna first begins photographing Alice, she is using a Leica 35mm range-finder camera with a manual film advance. However, when Anna takes the last few photographs of Alice weeping, the shots are rapid fire and you hear the sound of an automatic film advance. See more »
Smack My Bitch Up
Written by Liam Howlett, Kool Keith (as Keith Thornton), Ced-Gee (as Cedric Miller), T.R. Love (as Trevor Randolph) and Moe Love (as Maurice Smith)
Performed by The Prodigy
Courtesy of Maverick Recording Company/Beggars Banquet/XL Records/Mute Records
By Arrangement with Warner Strategic Marketing See more »
Mike Nichols directed, in my opinion, one of the three best adaptations from stage to screen. "Who's afraid of Virginia Woolf" (The other two being Sidney Lumet's "Long day's journey into night" and Elia Kazan's "A Streetcar named Desire) After the extraordinary television adaptation of "Angels in America" I also would have pleaded with Mike Nichols to do "Closer" Sorry I'm rambling. What I'm trying to say in a rather convoluted way is, simply, thank you Mr. Nichols. Adult themes, conceived and performed by adult artists. I hope it makes zillions of dollars so we can have more of it. Jude Law is a Peter O'Toole without the steroids, Julia Roberts a Jeanne Moreau with an American passport, Clive Owen is a child of John Garfield and Peter Finch and Natalie Portman a Jean Peters with a college degree. I saw the film twice in a row, I hadn't done that in years. Not since "Drugstore Cowboy", "Apartment Zero" and "Sex Lies and Videotape" The unfolding of the dark happens in front of our eyes and it feels chillingly familiar. Lies we tell each other with so much conviction with so much honesty. The only real thing is the pain and the loneliness. It doesn't sound like a very entertaining night out but believe me, it is. Go, see for yourself. You may have to confront something you didn't want to confront. That's part of the process call growing up. Who's afraid of that?
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