A sheriff sees his state senate bid slide out onto the ice when his daughter begins to date the son of a charming but psychologically disturbed woman with whom the sheriff has engaged in a two-decade-long affair.
Dustin Lance Black
Set in the world of mega-churches in which a former Deadhead-turned-born again-Christian finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.
Seymour Levov, going by the nickname of 'Swede' in the Jewish community he was born into, was even more of an all-American than Douglas Fairbanks himself. He had just everything an American idol can dream of: not only was the tall muscular young man a high school star athlete but he married a beauty queen named Dawn in the bargain. And as if all this were not enough, Swede later became the successful manager of the glove factory his father had founded, which allowed him to live with his wife in a beautiful house in the New Jersey countryside. Well-mannered, always bright, smiling and positive, conservative but with a liberal edge, what bad could ever happen to him? And yet...this was reckoning without fate and its obnoxious irony, Swede and Dawn's nemesis manifesting itself in the person of Merry, their beloved daughter who in her teens unexpectedly turned into a violent activist.Written by
Army National Guardsman - The young army guardsman they have a short talk with outside of the factory in NJ/NYC is actually wearing a 25th infantry patch. See more »
[narrating as WWII era dance music plays]
Let's remember the energy. America had won the war. The depression was over. Sacrifice was over. The upsurge of life was contagious. We celebrated a moment of collective inebriation that we would never know again. Nothing like it in all the years that followed from our childhood until tonight, the 45th reunion of our high school class.
[now walking down a school hallway]
At 30 or 40, a gathering of my old classmates would have been exactly ...
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Ethnic casting is a slippery slope, with the danger of confirming cruel stereotypes. The biggest problem with American Pastoral is that screenwriter and McGregor don't grasp Roth's universe, with the casting missteps foreshadowing flat performances. Obviously correct ethnic casting guarantees nothing special. Translating Philp Roth's novel to the screen is always daunting but with American Pastoral, it's probably not doable at all, mainly because the novel's complex narrative emerges from multiple perspectives, each shaped by the distorting lens of imagination. The ambiance only is original but overall the movie doesn't work.
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